ययौ द्वारवतीं हृष्टो देवदेवस्य सादरम् । कृष्णं दृष्ट्वा परां सिद्धिं संप्राप्तो देवमंदिरे
yayau dvāravatīṃ hṛṣṭo devadevasya sādaram | kṛṣṇaṃ dṛṣṭvā parāṃ siddhiṃ saṃprāpto devamaṃdire
আনন্দিত হৈ তেওঁ দেবদেৱৰ নিবাস দ্বাৰৱতীলৈ ভক্তিভাৱে গ’ল। শ্ৰীকৃষ্ণৰ দৰ্শন কৰি তেওঁ পৰম সিদ্ধি লাভ কৰি দেৱমন্দিৰত উপনীত হ’ল।
Narrator (contextual; within Dvārakā Māhātmya narration)
Tirtha: Dvāravatī / Dvārakā
Type: kshetra
Scene: King Dilīpa arrives joyfully at Dvāravatī, approaches the divine temple, and attains supreme perfection upon beholding Kṛṣṇa.
Kṛṣṇa-darśana at Dvārakā, approached with reverence, is portrayed as a direct cause of supreme spiritual attainment (parā siddhi).
Dvāravatī/Dvārakā, celebrated as a sacred city where seeing Kṛṣṇa grants exceptional merit.
No explicit rite is prescribed; the act emphasized is devotional pilgrimage and darśana (reverent seeing) of Kṛṣṇa in the temple.