गौतम उवाच । आनीतासि मया देवि तपसाऽराध्य शंकरम् । वदिष्यति स चोपायमित्युक्त्वाऽचिन्तयत्तदा
gautama uvāca | ānītāsi mayā devi tapasā'rādhya śaṃkaram | vadiṣyati sa copāyamityuktvā'cintayattadā
গৌতম ক’লে: হে দেবী, তপস্যাৰে শংকৰক আৰাধনা কৰি মই তোমাক ইয়ালৈ আনিছোঁ। ‘সেইজনেই উপায় ক’ব’ বুলি ক’ই তেতিয়া তেওঁ গভীৰ চিন্তাত নিমগ্ন হ’ল।
Gautama
Listener: sages/audience
Scene: Gautama speaks to the Goddess: a hermitage scene with sacred fire, matted-hair sage, and an invoked divine feminine presence; in the background, a subtle icon of Śaṅkara with Gaṅgā in his hair, indicating the source of the promised remedy.
Tapas and devotion to Śiva are portrayed as a doorway to clarity and divine instruction when worldly solutions are absent.
Dvārakā is the surrounding māhātmya setting; the verse emphasizes Śaṅkara’s grace that supports the revelation of sacred places.
Austerity (tapas) and worship/propitiation (ārādhana) of Śaṅkara are indicated as the spiritual method.