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Skanda Purana — Nagara Khanda, Shloka 36

धर्माख्यानकथाभिश्च सलास्यैस्तांडवैस्तथा

dharmākhyānakathābhiśca salāsyaistāṃḍavaistathā

আৰু ধৰ্মাখ্যান-কথাৰ পাঠেৰে, সুললিত নৃত্যৰে, আৰু তদ্ৰূপ তাণ্ডৱ নৃত্যৰে।

धर्मdharma/righteousness
धर्म:
Qualifier (Upapada/उपपद)
TypeNoun
Rootधर्म (प्रातिपदिक)
Formपुंलिङ्ग, प्रातिपदिक (समासाङ्ग)
आख्यानnarrative/story
आख्यान:
Qualifier (Upapada/उपपद)
TypeNoun
Rootआख्यान (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रातिपदिक (समासाङ्ग)
कथाwith talks/stories
कथा:
Karana (Instrument/करण)
TypeNoun
Rootकथा (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (Instrumental/करण), बहुवचनम् (कथाभिः)
धर्म-आख्यान-कथाभिःwith stories/narrations of dharma
धर्म-आख्यान-कथाभिः:
Karana (Instrument/करण)
TypeNoun
Rootधर्म + आख्यान + कथा (प्रातिपदिकानि)
Formतत्पुरुष-समास (determinative chain) = ‘धर्मविषयाणि आख्यानानि, तासां कथाः’; स्त्रीलिङ्ग, तृतीया, बहुवचनम्
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय (समुच्चय/Conjunction)
with
:
Qualifier (Upapada/उपपद)
TypeIndeclinable
Rootस (उपसर्ग/अव्यय-पूर्वपद)
Formअव्यय-पूर्वपद (समासाङ्ग) — ‘स-’ = ‘सहित/with’
लास्यैःwith graceful dances (lāsya)
लास्यैः:
Karana (Instrument/करण)
TypeNoun
Rootलास्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (Instrumental/करण), बहुवचनम्
स-लास्यैःtogether with lāsya-dances
स-लास्यैः:
Karana (Instrument/करण)
TypeNoun
Rootस (अव्यय-पूर्वपद) + लास्य (प्रातिपदिक)
Formअव्ययीभाव-समास = ‘लास्यैः सहितैः’; तृतीया, बहुवचनम्
ताण्डवैःwith tāṇḍava dances
ताण्डवैः:
Karana (Instrument/करण)
TypeNoun
Rootताण्डव (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (Instrumental/करण), बहुवचनम्
तथाlikewise
तथा:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्यय (क्रियाविशेषण) — ‘likewise/also’

Narrator within Nāgarakhaṇḍa Tīrthamāhātmya (deduced; continuation fragment)

Type: kshetra

Scene: A temple courtyard after worship: storytellers recite dharma narratives while dancers perform graceful nṛtya; a tāṇḍava performance evokes Śiva’s cosmic dance, with lamps and gathered pilgrims.

D
Dharma
L
Lāsya
T
Tāṇḍava

FAQs

Devotion may be expressed through sacred storytelling and disciplined artistic performance as offerings aligned with dharma.

No specific tīrtha is named in this fragment; it describes modes of Śivarātri observance.

Engage in dharma-kathā (religious narratives) and devotional dance forms (lāsya and tāṇḍava) as part of the observance.

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