यथावर्णमनुध्यानैर्मुनिबीजसमन्वितैः । विनियोगेन सहितैश्छन्दोभिः समलंकृतैः
yathāvarṇamanudhyānairmunibījasamanvitaiḥ | viniyogena sahitaiśchandobhiḥ samalaṃkṛtaiḥ
প্ৰত্যেক অক্ষৰৰ অনুৰূপ ধ্যান-চিন্তনেৰে, ঋষি আৰু বীজসহিত, নিৰ্দিষ্ট বিনিয়োগসহ, আৰু উপযুক্ত ছন্দেৰে অলংকৃত—এইদৰে মন্ত্র প্ৰয়োগ কৰিব লাগে।
Skanda (deduced)
Scene: A manuscript-like tableau: a teacher points to a palm-leaf text listing ṛṣi, bīja, chandas, viniyoga; above, a mantra appears as twelve syllables, each with a corresponding visualization (color/lotus/petal).
Mantra is not mere sound; it is a complete sacred method—joined with intention, metre, lineage (ṛṣi), and contemplative meaning.
No specific site is named; the verse supplies the orthodox framework for mantra-use within tīrtha-centered dharma.
Use of mantra with varṇa-dhyāna, ṛṣi/bīja attribution, viniyoga statement, and chandas—i.e., full mantra-vidhi.
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