स्वर्णकृत्कंबुकश्चैव तन्दुलीपुष्पलावकः । तांबूली नापितश्चैव मणिकारश्च सप्तधा
svarṇakṛtkaṃbukaścaiva tandulīpuṣpalāvakaḥ | tāṃbūlī nāpitaścaiva maṇikāraśca saptadhā
সেইসকল সাত প্ৰকাৰ: সোণাৰু, শঙ্খ-কৰ্মী, চাউল আৰু ফুল সাজি দিয়া জন, লাৱা (ভাজা দানা) যোগান ধৰা জন, তাম্বুল/পান বিক্ৰেতা, নাপিত, আৰু মণি-কাৰ (জহুৰী)।
Brahmā (in Brahma–Nārada dialogue context)
Scene: A bustling tīrtha bazaar near a temple gate: goldsmith at anvil, conch-worker carving, flower-and-rice preparer with baskets, roasted-grain seller, betel vendor, barber shaving a pilgrim, jeweller displaying gems.
Everyday livelihoods are acknowledged within dharma; society’s necessary services are integrated into a sacred moral order.
The surrounding narrative sits within the Hāṭakeśvara-kṣetra Māhātmya in the Nāgara Khaṇḍa.
No direct ritual is given; the verse enumerates artisan categories relevant to dharmic discussion.
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