नैवेद्यैः परमान्नैश्च गीतैर्नृत्यैः प्रवादितैः । ततो विसृज्य तां देवीं तदुद्देशेन वै ततः
naivedyaiḥ paramānnaiśca gītairnṛtyaiḥ pravāditaiḥ | tato visṛjya tāṃ devīṃ taduddeśena vai tataḥ
নৈবেদ্য আৰু উত্তম পৰমান্ন, গীত-নৃত্য আৰু বাদ্যধ্বনিৰে তাই পূজা অব্যাহত ৰাখিলে। তাৰ পাছত দেবীক সশ্ৰদ্ধে বিদায় দি, তেঁওৰ উদ্দেশে গ্ৰহণ কৰা সেই ব্ৰত-নিয়ম অনুসৰি আগবাঢ়িল।
Lakṣmī
Scene: A devoted woman completes Gaurī-pūjā with rich naivedya and paramānna; singers and dancers perform while instruments resound; she then performs respectful visarjana and prepares to continue her vrata.
Devotion can be offered through beauty and culture—food, music, and dance—culminating in respectful completion of worship.
The Gaṅgā-bank context of Pañcapiṇḍikā-Gaurī worship described in this chapter.
Offer naivedya and fine foods, perform song/dance/instrumental music, and conclude with proper visarjana (dismissal) of the deity.