सीवन्यश्च तथा सप्त पंच मूर्धानमास्थिताः । एका मेढ्रं गता चैका तथा जिह्वां गता द्विज
sīvanyaśca tathā sapta paṃca mūrdhānamāsthitāḥ | ekā meḍhraṃ gatā caikā tathā jihvāṃ gatā dvija
সাতটা সীৱন্য (সন্ধি) আছে; তাৰে পাঁচটা মূৰ্ধাত অৱস্থিত। এটা মেধ্ৰ (লিঙ্গ)লৈ যায় আৰু এটা তেনেদৰে জিভালৈ যায়, হে দ্বিজ।
Lomaharṣaṇa (Sūta) to the sages (deduced from Māheśvarakhaṇḍa context)
Listener: Dvija/ṛṣi interlocutor (as addressed: 'dvija')
Scene: A yogin seated in padmāsana; a subtle luminous diagram overlays the body: five cranial sutures highlighted, with two channels extending toward tongue and generative organ; sages listen as a teacher points with a staff.
By mapping subtle bodily structures, it supports the Purāṇic view that self-mastery includes understanding the body’s pathways and guarding sense-organs.
No site is mentioned; the teaching is anatomical.
None; it is descriptive.