प्रकृतिः पुरुषश्चैव पञ्चविंशः सदाशिवः । पञ्चपञ्चभिरेततैस्तु निष्पन्नं गृहमुच्यते
prakṛtiḥ puruṣaścaiva pañcaviṃśaḥ sadāśivaḥ | pañcapañcabhiretataistu niṣpannaṃ gṛhamucyate
প্ৰকৃতি আৰু পুৰুষ—আৰু পঁচিশতম তত্ত্বৰূপে সদাশিৱ—এই পাঁচ-পাঁচৰ গোটসমূহৰ দ্বাৰাই এই ‘গৃহ’ (দেহ-গঠন) উৎপন্ন হয় বুলি কোৱা হয়।
Sutanu
Scene: A cosmic architectural metaphor: the body as a house built from tattva-bricks; above it shines Sadāśiva as the keystone/crown, with prakṛti and puruṣa depicted as complementary pillars.
Seeing the body as a constructed ‘house’ of principles helps detach from it and orient toward Sadāśiva as the highest reality.
No tīrtha is mentioned; the focus is metaphysical (tattva) rather than sacred geography.
None; it is a doctrinal statement supporting contemplative understanding.