द्विजराजश्च धर्मश्च भृगुमारीचिमुख्यकाः । अत्यंतमपमानस्य भाजनं तेन कारिताः
dvijarājaśca dharmaśca bhṛgumārīcimukhyakāḥ | atyaṃtamapamānasya bhājanaṃ tena kāritāḥ
দ্বিজৰাজ আৰু ধৰ্মদেৱ নিজে—ভৃগু, মাৰীচি আদি প্ৰধান ঋষিসকলসহ—তেওঁৰ দ্বাৰা অতি তীব্ৰ অপমানৰ পাত্ৰ কৰি দিয়া হ’ল।
Skanda (deduced for Kāśīkhaṇḍa narration)
Scene: Dakṣa’s courtly sacrificial hall where eminent beings—Dharma personified and great sages like Bhṛgu and Mārīci—are publicly humiliated; faces show shock and restrained anger; ritual grandeur contrasts moral disgrace.
Status, learning, and ritual authority do not protect one who aligns against the Supreme; dharma without devotion becomes hollow.
Within Kāśīkhaṇḍa, the supremacy of Śiva (Viśveśvara of Kāśī) is the doctrinal center behind the narrative.
None.