धर्मलभ्या धर्मजला धर्मप्रसवधर्मिणी । ध्यानगम्यस्वरूपा च धरणी धातृपूजिता
dharmalabhyā dharmajalā dharmaprasavadharmiṇī | dhyānagamyasvarūpā ca dharaṇī dhātṛpūjitā
তাই ধৰ্মৰ দ্বাৰাই লাভ্য; তাইৰ জল নিজেই ধৰ্ম, আৰু তাই ধৰ্ম জন্ম দিয়ে নিজেও সদা ধৰ্মিণী থাকে। তাইৰ সত্য স্বৰূপ ধ্যানৰ দ্বাৰাই গম্য। তাই ধৰণী—সকলোকে ধাৰণকাৰিণী—আৰু ধাত্ৰীৰ দ্বাৰাও পূজিতা।
Skanda (deduced for Kāśī-khaṇḍa context, commonly Skanda speaking to Agastya)
Tirtha: Gaṅgā in Kāśī (Avimukta)
Type: kshetra
Scene: A calm dawn scene: Gaṅgā as a serene goddess whose waters are inscribed with subtle ‘dharma’ motifs; meditators sit in stillness; Earth imagery (mountain-like steadiness, supportive hands) suggests dharaṇī; a divine figure (Dhātṛ/Brahmā as ‘sustainer’) offers reverence.
Dharma and meditation are the two gateways: right living and inner contemplation reveal the Goddess’s true nature.
It aligns with Kāśī-khaṇḍa’s sanctification of Kāśī’s dharmic waters and meditative power, though no single tirtha is named.
Meditation (dhyāna) is indicated as the means to realize her form; no detailed rite is specified.