स्त्रीबालघातकश्चैव पापी चानृतभाषणः । अनाचारी तथा स्तेयी परदाराभिगस्तथा । अकार्यकारी कृत्यघ्नो ब्रह्मद्विड्वाडवाधमः
strībālaghātakaścaiva pāpī cānṛtabhāṣaṇaḥ | anācārī tathā steyī paradārābhigastathā | akāryakārī kṛtyaghno brahmadviḍvāḍavādhamaḥ
স্ত্ৰী বা শিশুহন্তা, মিছা কোৱা পাপী, অনাচাৰী, চোৰ, পৰস্ত্ৰী-অভিগামী; অকর্তব্য কৰ্মকাৰী, ধৰ্মকৃত্য নাশকাৰী, ব্ৰাহ্মণদ্বেষী আৰু মানুহৰ মাজত অধমজনো—সেই ভক্তিত শুদ্ধ হয়।
Dharma-rāja (Yama) (deduced: continuing the sin-removal phalaśruti)
Tirtha: Dharmāraṇya
Type: kshetra
Listener: Audience/practitioners
Scene: A stark moral tableau: figures representing falsehood, theft, adultery, and brahma-dveṣa stand in shadow; a reciter chants the forty names before a liṅga; the shadows recede as the group adopts humble postures, symbolizing inner conversion.
The text stresses the transformative power of sacred devotion: even grave wrongdoing can be remedied through sincere turning toward the divine.
The immediate focus is not a named tirtha but the dharmic efficacy of Śiva-nāma within the Dharmāraṇya context.
The implied prescription is expiation via recitation/hearing of the praised divine names, framed as pāpa-pranāśana.