भस्मोपचितसर्वाङ्गं डमरुस्वरनादितम् । उमार्द्धाङ्गहरं शान्तं गोनाथासनसंस्थितम्
bhasmopacitasarvāṅgaṃ ḍamarusvaranāditam | umārddhāṅgaharaṃ śāntaṃ gonāthāsanasaṃsthitam
তেওঁ ধ্যান কৰিলে সেইজনক, যাঁৰ সমগ্ৰ দেহ ভস্মে আচ্ছাদিত, ডমৰুৰ নাদে ধ্বনিত; শান্ত, উমাক অৰ্ধাঙ্গে ধাৰণ কৰা, আৰু বৃষনাথ নন্দিনৰ ওপৰত আসীন।
Narrator (deduced)
Tirtha: Narmadā-tīra dhyāna-sthala (contextual)
Type: ghat
Scene: Close, vivid dhyāna-image: Śiva smeared with bhasma, the ḍamaru’s resonance implied, Ardhanārīśvara aspect with Umā as half-body, seated upon Nandin (bull-lord), serene and radiant.
Śiva’s form unites austerity (bhasma, tapas) and grace (Umā), guiding the seeker toward inner peace.
The contemplation is part of the Revā/Narmadā tīrtha context, supporting the river’s māhātmya through practice.
Iconographic dhyāna on Śiva—visualizing ash-smeared limbs, ḍamaru resonance, and Umā as half His body.