गाणपत्यदानकथा
Bāṇāsura Receives Gaṇapatya; Genealogical Prelude
ततः क्रीडाविहारे तु मत्तो बालेन्दुशेखरः । अनिर्जितेन कामेन दृष्टाः प्रोवाच नन्दिनम्
tataḥ krīḍāvihāre tu matto bālenduśekharaḥ | anirjitena kāmena dṛṣṭāḥ provāca nandinam
তাৰ পাছত ক্ৰীড়াবিহাৰৰ সময় বালেন্দুশেখৰ (চন্দ্ৰকলাধাৰী শিৱ) লীলাৰসে মত্ত হ’ল; কাম এতিয়াও জয় হোৱা নাছিল—সেয়া দেখি তেওঁ নন্দীক ক’লে।
Sūta Gosvāmin (narrating to the sages of Naimiṣāraṇya)
Tattva Level: pati
Shiva Form: Mahadeva
Cosmic Event: Līlā-frame: the Lord participates in worldly rasa while remaining Īśvara; ‘anirjita-kāma’ functions as narrative tirodhāna—concealment of transcendence for play.
It shows that even within divine līlā, the text highlights the theme of mastering kāma (desire). In a Śaiva Siddhānta lens, the devotee learns to move from impulse toward disciplined devotion, letting Śiva guide the transformation of the mind.
The epithet Bālenduśekhara emphasizes Śiva’s accessible, Saguna form for devotion. Remembering such forms in Linga-worship steadies attention and gradually refines desire into bhakti directed toward Pati (Śiva), rather than outward craving.
A practical takeaway is japa of the Pañcākṣarī ("Om Namaḥ Śivāya") with restraint of the senses, supported by Tripuṇḍra (bhasma) and Rudrākṣa as reminders to conquer inner agitation and keep the mind anchored in Śiva.