हिरण्यनेत्रस्य तपः — Hiraṇyanetra’s Austerity and the Boon
क्वेदं शरीरं तव भस्मदिग्धं कपालमालाभरणं विरूपम् । तूणीरसत्कार्मुकबाणखड्गभुशुंडिशूलाशनितोमराणि
kvedaṃ śarīraṃ tava bhasmadigdhaṃ kapālamālābharaṇaṃ virūpam | tūṇīrasatkārmukabāṇakhaḍgabhuśuṃḍiśūlāśanitomarāṇi
তোমাৰ এই দেহ কেনেকুৱা—ভস্মলিপ্ত, বিকৃত, আৰু কপালমালাৰে ভূষিত? আৰু এই তূণীৰ, উৎকৃষ্ট ধনু, বাণ, খড়্গ, গদা, ত্ৰিশূল, বজ্ৰ আৰু তোমৰ—এইবোৰ কি?
An opponent in the Yuddhakhaṇḍa (a hostile warrior addressing Lord Shiva/Rudra’s form, as narrated by Sūta Gosvāmī)
Tattva Level: pati
Shiva Form: Bhairava
Type: stotra
Shakti Form: Kālī
Role: destructive
The verse contrasts worldly standards of beauty and power with Rudra’s transcendent marks—bhasma and kapālamālā—signifying dispassion, impermanence, and mastery over death. In Shaiva Siddhanta, such signs point to Shiva as Pati, beyond fear and attachment, who uses even fierce forms to uphold dharma.
Though Shiva is ultimately Nirguṇa, devotees approach Him as Saguṇa through recognizable emblems—bhasma, skull-garland, and divine weapons—leading the mind from form to the formless reality. The same Lord is adored in the Liṅga as the stable, auspicious presence behind these awe-inspiring manifestations.
Bhasma is implied: wearing Tripuṇḍra with reverence and remembering impermanence supports inner vairāgya. Meditatively, contemplate Shiva as the indwelling Lord (Pati) who burns impurities like bhasma, while repeating the Panchākṣarī—“Om Namaḥ Śivāya”—to steady the mind in devotion.