The Exposition of the Maheśa Mantra
Mahēśa-mantra-prakāśana
वक्त्रेषु पंच विन्यस्येदीशानस्य कलाः क्रमात् । ईशानः सर्वविद्यानां शशिनी प्रथमा कला ॥ ६३ ॥
vaktreṣu paṃca vinyasyedīśānasya kalāḥ kramāt | īśānaḥ sarvavidyānāṃ śaśinī prathamā kalā || 63 ||
পাঁচ মুখত পাঁচ কলা বিন্যাস কৰি, ঈশানৰ কলাসমূহ ক্ৰমে স্থাপন কৰিব। ঈশান সকলো বিদ্যাৰ অধিপতি; ‘শশিনী’ তেওঁৰ প্ৰথম কলা।
Narada (teaching in a technical, Vedanga-style ritual instruction context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches ordered inner placement (nyāsa) of divine energies (kalās), presenting Īśāna as the presiding principle of knowledge and indicating that spiritual practice should be structured, sequential, and mantra-aligned.
Bhakti here is expressed as disciplined worship: devotion is not only emotion but also correct ritual contemplation—placing the deity’s kalās with reverence and order to steady the mind in the deity’s presence.
Ritual procedure and mantra-application (nyāsa/vinyāsa) are highlighted—an applied, technical discipline aligned with Vedanga-style precision (sequence, placement, and correct identification of deity-energies).