The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
आह्लादिनीति च प्रोक्ता तथा समोहिनीति च । स्तंभिनीजंभिनीचैव वशंकर्यथ रंजिनी ॥ ५४ ॥
āhlādinīti ca proktā tathā samohinīti ca | staṃbhinījaṃbhinīcaiva vaśaṃkaryatha raṃjinī || 54 ||
তেওঁ ‘আহ্লাদিনী’ (আনন্দদায়িনী) আৰু ‘সমোহিনী’ (মোহকাৰিণী) বুলি কীৰ্তিত; লগতে ‘স্তম্ভিনী’, ‘জম্ভিনী’, ‘বশংকৰী’ আৰু ‘ৰঞ্জিনী’ও আছে।
Sanatkumara (teaching Narada in a Vedanga/technical context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
The verse catalogs specific mantra-śaktis (functional spiritual powers) recognized in technical/ritual disciplines, indicating that sacred sound is analyzed not only devotionally but also by its operational effects in prescribed rites.
Indirectly: by distinguishing technical mantra-effects from ultimate spiritual aim, it implies that such powers are ancillary; the Narada Purana repeatedly frames higher devotion and dharma as the guiding purpose behind any ritual knowledge.
A mantra-śāstra style taxonomy of operative forces—āhlādinī, samohinī, stambhinī, jaṃbhinī, vaśaṃkarī, raṃjinī—useful for understanding how rituals and mantras are classified by intended effect within technical traditions.