The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
पातु मामूर्ध्वतः शश्चद्दैवताकुलसुंदरी । अधो नीलपताकाख्या विजया सर्वतश्च माम् ॥ २८ ॥
pātu māmūrdhvataḥ śaścaddaivatākulasuṃdarī | adho nīlapatākākhyā vijayā sarvataśca mām || 28 ||
ঊৰ্ধ্বদিশে দেৱগণৰে পৰিবেষ্টিতা চিৰমঙ্গলময়ী সুন্দৰী দেৱীয়ে মোক ৰক্ষা কৰক; অধোদিশে ‘নীলপতাকা’ নামে খ্যাত বিজয়াই মোক ৰক্ষা কৰক; আৰু তেওঁ সকলো দিশে মোক সদায় সুৰক্ষিত কৰক।
Sanatkumara (teaching Narada a protective stotra/nyasa-style kavaca)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It functions as a protective invocation (kavaca-style), assigning divine guardianship to the vertical directions—above and below—so the practitioner is symbolically enclosed by sacred protection.
Bhakti is expressed as surrender and remembrance: the devotee entrusts personal safety to divine powers (Vijayā/Nīlapatākā and the divine hosts), strengthening faith and continuous God-centered awareness.
It reflects applied ritual procedure—directional protection and mantra-prayoga (kavaca/nyāsa logic), a technical, practice-oriented use of sacred speech aligned with Vedanga-style ritual discipline.