Narada Purana — Purva Bhaga, Shloka 64
Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
प्राणो रसा चरयुतो गोत्रव्यसिमतः परम् । गोत्रादाहमरुद्युक्ता त्वंबुन्यासमतो भवेत् ॥ ६४ ॥
prāṇo rasā carayuto gotravyasimataḥ param | gotrādāhamarudyuktā tvaṃbunyāsamato bhavet || 64 ||
ৰস আৰু চৰ-যুক্ত প্ৰাণক গোত্ৰসীমাৰ অতীত পৰম বুলি কোৱা হৈছে। গোত্ৰভাবৰ পৰা ‘অহং’ বোধ বায়ুসকলৰ সৈতে যুক্ত হৈ উঠে; তাৰ দ্বাৰা জলে ‘ত্বং’-ন্যাস (ত্বং-ভূ-ন্যাস) সম্পন্ন হয়।
Narada (in a technical Vedāṅga-style exposition, likely relaying an instructed schema of nyāsa/prāṇa)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
FAQs
It frames prāṇa (vital life-force) as a principle that transcends social identity (gotra), while showing how ego-identification (ahaṃ) arises with vāyu-currents and is then ritually re-ordered through nyāsa into elemental supports such as water.
Indirectly: by emphasizing inner purification—moving from lineage/ego identity to prāṇa-centered discipline—this supports devotional practice where the body-mind is prepared through nyāsa and regulated prāṇa for steadier remembrance and worship.
A technical ritual-phonetic/mantric framework (Vedāṅga-style) involving prāṇa and vāyu theory and the procedure of nyāsa (mantra installation) mapped to elemental bases like water (ambu).