Narada Purana — Purva Bhaga, Shloka 35
Kṛṣṇādi-mantra-varga-varṇana
Classification of Krishna and Related Mantras
दद्याद्बिभ्रत्कराग्रैरपि दरमुरलीपुष्पबाणेक्षुचापानक्षस्पृक्पूर्णकुंभौ स्मरललितवपुर्दिव्यभूषांगरागः । व्याख्यां वामे वितन्वन् स्फुटरुचिरपदो वेणुना विश्वमात्रे शब्दब्रह्मोद्भवेन श्रियमरुणरुचिर्बल्लवीवल्लभो नः ॥ ३५ ॥
dadyādbibhratkarāgrairapi daramuralīpuṣpabāṇekṣucāpānakṣaspṛkpūrṇakuṃbhau smaralalitavapurdivyabhūṣāṃgarāgaḥ | vyākhyāṃ vāme vitanvan sphuṭarucirapado veṇunā viśvamātre śabdabrahmodbhavena śriyamaruṇarucirballavīvallabho naḥ || 35 ||
যি আঙুলিৰ অগ্ৰভাগত মৃদুনাদ মুৰলী, পুষ্পবাণ আৰু ইক্ষুচাপ, আৰু নয়ন স্পৰ্শ কৰা দুটা পূৰ্ণ কুম্ভ ধাৰণ কৰে; যাঁৰ দেহ স্মৰদেৱৰ দৰে ললিত, দিব্য অলংকাৰ আৰু সুগন্ধ অঙ্গৰাগে বিভূষিত; যি বাওঁ হাতে ব্যাখ্যা বিস্তাৰ কৰি, শব্দব্ৰহ্মজাত বেণুৰ স্পষ্ট মধুৰ স্বৰে বিশ্বমাতাক উপদেশ দিয়ে—সেই অৰুণকান্তি গোপীবল্লভে আমাক শ্ৰীসমৃদ্ধি দান কৰক।
Narada (hymnic voice within the Narada Purana’s Vedanga-focused section; framed in the Narada–Sanatkumara dialogue tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
FAQs
It meditates on Śrī Kṛṣṇa as the source of auspiciousness (śrī) through Śabda-Brahman—divine sound—showing that spiritual and worldly prosperity arise from attunement to sacred vibration embodied in His flute.
Bhakti here is contemplative worship: visualizing Kṛṣṇa’s beauty and symbols while hearing/remembering His flute as sacred sound, the devotee receives grace (dadyāt) and inner refinement through loving remembrance.
The verse foregrounds Śabda-Brahman and the power of articulated sound, aligning with Vedanga concerns—especially Śikṣā (phonetics) and Vyākaraṇa (structured expression)—by portraying clear, distinct notes (sphuṭa) as spiritually formative.