The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
पूजनं काम्यकर्मादि सर्वमस्य षडर्णवत् । तारः स्वबीजं कमला रामभद्रेति संपठेत् ॥ ९० ॥
pūjanaṃ kāmyakarmādi sarvamasya ṣaḍarṇavat | tāraḥ svabījaṃ kamalā rāmabhadreti saṃpaṭhet || 90 ||
ইয়াৰ পূজন আৰু কাম্যকৰ্মাদি সকলো ষড়ৰ্ণ মন্ত্ৰৰ দৰে কৰিব লাগে। ‘তাৰ’, স্ববীজ, ‘কমলা’, আৰু ‘ৰামভদ্ৰ’—এইদৰে সংপাঠ কৰিব।
Narada
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It codifies a precise mantra-procedure: even desire-driven rites are to be disciplined through an established mantra-pattern (the ṣaḍarṇa/ṣaḍakṣara-style method), emphasizing correct recitation components—tāra, bīja, and divine names.
By directing worship (pūjanam) through sacred names such as Kamalā and Rāmabhadrā, it channels personal aims into deity-centered recitation, a hallmark of bhakti expressed through mantra and ritual order.
Mantra-vidhi and ritual phonetics/usage: the structured inclusion of tāra (praṇava-like invocatory syllable), bīja (seed syllable for nyāsa/empowerment), and specific deity-nāmas reflects technical liturgical practice aligned with śikṣā (pronunciation) and kalpa (ritual procedure).