Narada Purana — Purva Bhaga, Shloka 196
The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
अस्त्रतारोऽच्युतास्त्रं च तारो वाचा सुदेव फट् । तारमायामूर्तेः फट् वः कामः स्वरादिमः ॥ १९६ ॥
astratāro'cyutāstraṃ ca tāro vācā sudeva phaṭ | tāramāyāmūrteḥ phaṭ vaḥ kāmaḥ svarādimaḥ || 196 ||
“তাৰ” অক্ষৰ অচ্যুতাস্ত্ৰ-মন্ত্ৰৰ সৈতে যুক্ত হলে “অস্ত্ৰ” মন্ত্ৰ হয়। বাক্যৰ সৈতে যুক্ত হলে “সুদেৱ ফট্”। মায়া-মূৰ্তিৰ সৈতে যুক্ত হলে “(তাৰ)… ফট্”। আৰু “ৱঃ” ক স্বৰাদি “কাম” বুলি কোৱা হৈছে॥১৯৬॥
Sanatkumara (teaching Narada in a technical mantra-vidya/Vedanga-oriented section)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
FAQs
It explains a technical principle of mantra-vidyā: how the primordial syllable “tāra” (oṃ) is combined with specific deity-forms and functional particles like “phaṭ” to produce protective or forceful ritual applications centered on Acyuta (Viṣṇu).
Even in a technical Vedāṅga-style passage, the verse anchors efficacy in Viṣṇu as Acyuta—showing that ritual power and protection are framed as dependent on devotionally invoking the Lord’s names/forms rather than mere sound mechanics.
It highlights mantra-formation through phonetic/linguistic components—use of bīja-like syllables (tāra, vaḥ), the vowel-series (svara), and functional ritual exclamations (phaṭ), reflecting Śikṣā/Vyākaraṇa-informed mantra construction used in Narada Purana rituals.