The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
देवतास्य रदार्णस्य दिव्यपूर्वो नृकेसरी । पादैश्चतुर्भिः सर्वेण पञ्चाङ्गानि समाचरेत् ॥ १४७ ॥
devatāsya radārṇasya divyapūrvo nṛkesarī | pādaiścaturbhiḥ sarveṇa pañcāṅgāni samācaret || 147 ||
‘ৰদাৰ্ণ’ নামৰ অক্ষৰসমূহৰ অধিষ্ঠাত্রী দেৱতা দিৱ্য-প্ৰথম নৃকেশৰী (নৃসিংহ)৷ মন্ত্ৰৰ চাৰিও পাদ সম্পূৰ্ণকৈ লৈ বিধিপূৰ্বক পঞ্চাঙ্গ-বিধি আচৰণ কৰিব লাগে।
Sanatkumara (in instruction to Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It links a specific syllable/phoneme-group (radārṇa) to its presiding deity (Nṛsiṃha) and teaches that mantra-power is activated through complete, properly structured practice—using all four pādas and the full five-limbed ritual method.
By identifying Nṛsiṃha as the mantra’s devatā and insisting on complete performance, the verse frames bhakti as disciplined worship—devotion expressed through precise mantra-recitation and ritual observance focused on the chosen deity.
It reflects Vedāṅga-style technical ritual knowledge: mantra segmentation into pādas (quarters) and the application of a pañcāṅga procedure (five ritual components), consistent with śikṣā/ritual methodology used to ensure correct recitation and deployment of mantras.