Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
निधिप्रदीपां पापघ्नीं पुण्यां पश्चाच्छशिप्रभाम् । दलाग्रेषु वक्रतुंड एकदंष्ट्रमहोदरौ ॥ ७१ ॥
nidhipradīpāṃ pāpaghnīṃ puṇyāṃ paścācchaśiprabhām | dalāgreṣu vakratuṃḍa ekadaṃṣṭramahodarau || 71 ||
তাৰ পিছত নিধিপ্ৰদীপা—পাপনাশিনী আৰু পুণ্যদায়িনী—ক, আৰু তাৰ পাছত শশিপ্ৰভা (চন্দ্ৰপ্ৰভা) ক ধ্যান/স্থাপন কৰিব। দলেৰ অগ্ৰভাগত বক্রতুণ্ড, একদন্ত্ৰ আৰু মহোদৰক স্থাপন/স্মৰণ কৰিব।
Narada (in instruction/listing mode within the Vedanga/ritual-technical section, traditionally conveyed to/within dialogue with Sanatkumara lineage)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It emphasizes purification and auspiciousness through ordered remembrance/placement of sacred names—especially sin-destroying (pāpaghnī) and merit-producing (puṇyā) forms—culminating in Gaṇeśa’s epithets for removing obstacles in ritual proceedings.
Bhakti is expressed here as disciplined worship: invoking divine names with specific qualities (moon-like radiance, sin-destruction) and honoring Gaṇeśa through his traditional epithets, aligning the devotee’s mind and rite toward successful, obstacle-free devotion.
It reflects a technical, procedural style typical of ritual instruction—sequencing, correct appellations, and placement/visualization—closely related to Kalpa (ritual procedure) and the precise use of names/forms as part of liturgical practice.