The Explanation of Sandhyā and Related Daily Observances
Saṅdhyā-ādi Nitya-karma-Vidhi
विमलो धारया युक्तो नृसिंहो विद्युता युतः । केशवादिमातृकाया मुनिर्नारायणो मतः ॥ ९८ ॥
vimalo dhārayā yukto nṛsiṃho vidyutā yutaḥ | keśavādimātṛkāyā munirnārāyaṇo mataḥ || 98 ||
‘বিমল’ ধাৰা (আধাৰ-প্ৰবাহ)ৰ সৈতে যুক্ত; ‘নৃসিংহ’ বিদ্যুৎৰ সৈতে যুক্ত। আৰু কেশৱ-আদি মাতৃকা (বৰ্ণমাতৃকা)ত মুনিক ‘নাৰায়ণ’ বুলিয়েই মত কৰা হৈছে।
Narada (teaching within a technical/Vedanga-style enumeration)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It links divine forms (Nṛsiṃha, Nārāyaṇa) with energetic principles (a sustaining ‘flow’ and lightning-like radiance) and anchors them in the Keśavādi Mātr̥kā, implying that sacred sound/phonemes are a vehicle for realizing Vishnu’s presence.
By identifying the sage-principle with Nārāyaṇa within the Keśava-based sacred sound matrix, it supports Bhakti through nāma (divine names) and mantra—devotion expressed as remembrance, recitation, and contemplative alignment with Vishnu’s forms.
It reflects a technical mantra/phoneme framework (Mātr̥kā), aligning with Śikṣā and Vyākaraṇa-oriented thinking—how sound-units and name-sequences are systematically mapped to deities for japa, nyāsa, and ritual application.