Mantraśodhana, Dīkṣā-krama, Guru-Pādukā, Ajapā-Haṃsa, and Ṣaṭcakra-Kuṇḍalinī Sādhana
ब्रह्मणे षट्सहस्रं तु हंसारूढाय चार्पयेत् । विद्युल्लसितमेघाभे डादिफांतार्णपत्रके ॥ ८५ ॥
brahmaṇe ṣaṭsahasraṃ tu haṃsārūḍhāya cārpayet | vidyullasitameghābhe ḍādiphāṃtārṇapatrake || 85 ||
হংসাৰূঢ় ব্ৰহ্মালৈ ছয় হাজাৰ (জপ/আহুতি) অৰ্পণ কৰিব। বিদ্যুতে দীপ্ত মেঘসদৃশ, ‘ড’ৰ পৰা ‘ফ’লৈ অক্ষৰযুক্ত পত্রকত (যন্ত্র/তাবিজ) সেই অৰ্পণ কৰিব॥
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It prescribes a quantified devotional/ritual dedication (six thousand) directed to Brahmā, emphasizing precision in mantra-letters and ritual implements (a leaf-inscription), showing that disciplined sacred sound and correct procedure are themselves acts of reverence.
Bhakti here appears as focused offering (arpayet) to a deity-form (Brahmā as haṃsārūḍha), where devotion is expressed through faithful completion of a vowed count and careful preparation of the sacred medium (patraka with arranged syllables).
It highlights technical mantra-application and akṣara (letter/syllable) arrangement—skills aligned with Śikṣā (phonetics) and ritual procedure—showing how precise sound-units and prescribed counts are used in formal worship.