Agni Purana — Yoga & Brahma-vidya, Shloka 8
Āgneya-Purāṇa-māhātmya
The Greatness and Self-Testimony of the Agni Purāṇa
तद्ध्यानं यत्र गोविन्दः स कथा यत्र केशवः तत् कर्म यत्तदर्थीयं किमन्यैर् बहुभाषितैः
taddhyānaṃ yatra govindaḥ sa kathā yatra keśavaḥ tat karma yattadarthīyaṃ kimanyair bahubhāṣitaiḥ
যি ধ্যানত গোবিন্দেই বিষয়, সেয়াই ধ্যান; যি কথাত কেশৱেই প্ৰতিপাদ্য, সেয়াই পবিত্ৰ কথা। যি কৰ্ম তেওঁৰ অৰ্থে কৰা হয়, সেয়াই কৰ্ম—আন বহু কথাৰ কি প্ৰয়োজন?
Lord Agni (in instruction to Sage Vasiṣṭha)
Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Stotra","practical_application":"A prioritization rule: evaluate practices—meditation, discourse, and action—by whether they are Govinda/Keśava-centered; reduces spiritual distraction and performative religiosity.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Criteria for True Dhyāna, Kathā, and Karma: Keśava-Centeredness","lookup_keywords":["dhyāna","kathā","karma","Govinda","Keśava"],"quick_summary":"Meditation is that which has Govinda as its object; sacred discourse is that which speaks of Keśava; action is that done for His sake. The verse functions as a concise filter for authentic practice."}
Alamkara Type: Anaphora (repetition of 'tat')
Concept: Ekatva-niṣṭhā: the telos of practices is īśvara-arpita and īśvara-viṣaya; anything else is ‘bahu-bhāṣita’ (mere verbosity).
Application: Use as a daily checklist: (1) Is my meditation Viṣṇu-centered? (2) Is my study/discussion Keśava-centered? (3) Is my work offered to Him? Drop activities that fail all three.
Khanda Section: Bhakti-yoga (Vishnu-bhakti and Smarana)
Primary Rasa: shanta
Secondary Rasa: bhakti
Visual Art Cues: {"scene_description":"Three panels or a single composition showing: (1) meditation with Govinda in the heart, (2) discourse where Keśava is the theme, (3) daily work offered at a Viṣṇu altar; surrounding clutter of ‘many talks’ fades away.","kerala_mural_prompt":"Kerala mural triptych: dhyāna scene with Govinda, kathā scene with a storyteller and Keśava imagery, karma scene with offerings of work tools at a shrine; bold outlines, traditional palette, ornamental borders.","tanjore_prompt":"Tanjore, central Keśava with gold halo, below three vignettes (dhyāna, kathā, karma-arpana), heavy gold embossing, rich temple-arch framing, minimal background clutter to stress essence.","mysore_prompt":"Mysore style, didactic composition with labeled vignettes (dhyāna/kathā/karma), fine brushwork, soft gradients, clear depiction of offering work (account book, plough, craft tools) at Viṣṇu’s feet.","mughal_miniature_prompt":"Mughal miniature, refined courtly assembly for kathā, quiet garden for dhyāna, workshop for karma-arpana; unified by a subtle motif of Viṣṇu’s emblem (śaṅkha-cakra) recurring across scenes."}
Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Shankarabharanam","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: तद्ध्यानं = तत् ध्यानम्; यत्तदर्थीयं = यत् तदर्थीयम्; किमन्यैर् = किम् अन्यैः; बहुभाषितैः = बहु-भाषितैः.
Related Themes: Agni Purana: bhakti-aṅga lists (śravaṇa, kīrtana, smaraṇa, arcana)
FAQs
It teaches a practical bhakti-discipline: define true dhyāna (meditation), kathā (religious discourse), and karma (action/ritual) as those explicitly centered on Govinda/Keśava, rejecting merely verbose religiosity.
Amid many subjects, it supplies a governing criterion for practice: whatever the Purana teaches—rites, duties, or disciplines—attains its highest value when oriented to Vishnu-bhakti, thus integrating diverse knowledge under a devotional telos.
It asserts that merit and purification arise most effectively from God-centered remembrance, discourse, and action; mere excessive speech without devotion is spiritually unproductive.