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Agni Purana — Ayurveda, Shloka 11

Mantra-paribhāṣā

Technical Definitions and Operational Rules of Mantras

गोपालककुटीं प्रायात् पूर्णामित्युदिता लिपिः नक्षेत्रेक्षक्रमाद्योज्या स्वरान्त्यौ रेवतीयुजौ

gopālakakuṭīṃ prāyāt pūrṇāmityuditā lipiḥ nakṣetrekṣakramādyojyā svarāntyau revatīyujau

‘গোপালক-কুটী’লৈ যোৱা উচিত; এই লিপি ‘পূর্ণা’ বুলি ঘোষিত। নক্ষত্ৰৰ ক্ৰম অনুসাৰে ইয়াক বিন্যাস কৰিব লাগে। প্ৰথম আৰু শেষ স্বৰক ৰেৱতীৰ সৈতে যুক্ত কৰিব লাগে।

गोपाल-ककुटीम्the cowherd’s hut
गोपाल-ककुटीम्:
कर्म (Karma/कर्म)
TypeNoun
Rootगोपाल (प्रातिपदिक) + ककुटी (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन; तत्पुरुष-समास (गोपालस्य ककुटी)
प्रायात्should go/should proceed
प्रायात्:
क्रिया (Verb)
TypeVerb
Rootप्र + √या (धातु)
Formलोट्/विधिलिङ्-सदृश (injunctive/optative usage in instruction); परस्मैपद, प्रथमपुरुष (3rd), एकवचन; (context: should go/let (it) go)
पूर्णाम्full, complete
पूर्णाम्:
विशेषण (Adjective)
TypeAdjective
Rootपूर्ण (कृदन्त; √पॄ धातु)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन; क्त-प्रत्यय; (qualifying lipiḥ/ककुटीम् by ellipsis)
इतिthus
इति:
वाक्य-चिह्न (quotative marker)
TypeIndeclinable
Rootइति (अव्यय)
Formउद्धरण-समाप्त्यर्थक-अव्यय (quotative particle)
उदिताstated, declared
उदिता:
विशेषण (Adjective of लिपिः)
TypeAdjective
Rootउदित (कृदन्त; √उद्/√वद् धातु)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; क्त-प्रत्यय; lipiḥ इत्यस्य विशेषणम्
लिपिःscript/lettering
लिपिः:
कर्ता/विधेय (subject)
TypeNoun
Rootलिपि (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन
नक्षेत्र-ईक्ष-क्रमात्from/according to the order of constellation-observation
नक्षेत्र-ईक्ष-क्रमात्:
हेतु/अपादान (cause/source)
TypeNoun
Rootनक्षेत्र (प्रातिपदिक) + ईक्ष (प्रातिपदिक) + क्रम (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी (5th), एकवचन; तत्पुरुष-समास; अपादान/हेतु (from/according to the sequence of observing constellations)
आद्योज्याto be applied/arranged
आद्योज्या:
विधेय (predicate adjective of लिपिः)
TypeAdjective
Rootआ + √युज् (धातु)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; भविष्यत्कर्मणि/विधेय-योग्यता (gerundive/तव्यत् sense): to be applied/arranged
स्वर-अन्त्यौthe two final vowels
स्वर-अन्त्यौ:
कर्ता/विधेय (subject/predicate dual)
TypeNoun
Rootस्वर (प्रातिपदिक) + अन्त्य (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), द्विवचन; कर्मधारय-समास (अन्त्यौ स्वरौ)
रेवती-युजौjoined with Revatī
रेवती-युजौ:
विशेषण (Adjective of स्वर-अन्त्यौ)
TypeAdjective
Rootरेवती (प्रातिपदिक) + युज् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), द्विवचन; तत्पुरुष-समास (रेवत्या युजौ = joined with Revatī)

Lord Agni (in instruction to Vasiṣṭha, as per the Agni Purana’s dominant discourse frame)

Vidya Category: {"primary_vidya":"Vyakarana","secondary_vidya":"Jyotisha","practical_application":"Lipi-vidhi: arrange a ‘complete’ script/alphabetic scheme in nakṣatra order; special joining rule for first/last vowels with Revatī—useful for mantra-mātṛkā, cryptic writing, or pedagogic ordering.","sutra_style":true}

Encyclopedic Reference: {"reference_type":"Description","entry_title":"Pūrṇā Lipi: Nakṣatra-krama Alphabet Arrangement and Revatī Junction Rule","lookup_keywords":["pūrṇā-lipi","gopālaka-kuṭī","nakṣatra-krama","revatī","mātṛkā"],"quick_summary":"A ‘complete’ script system is taught, to be ordered by the sequence of nakṣatras. A specific junction rule links the first and last vowels with Revatī, indicating a cyclic/closed arrangement for lipi or mātṛkā mapping."}

Concept: Letters (varṇa) can be mapped onto cosmic time-space markers (nakṣatra), producing a closed, ‘complete’ system for ritual/knowledge organization.

Application: Use nakṣatra-ordered mātṛkā for mantra indexing, mnemonic charts, or esoteric encoding in manuscripts.

Khanda Section: Vyakarana & Lipi-vidya (Orthography, Scripts, and Phonetic Arrangement)

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: Hermitage/Instruction-site

Visual Art Cues: {"scene_description":"A teacher in a simple hut labeled Gopālaka-kuṭī draws a circular chart: nakṣatras around the rim, letters placed in sequence; Revatī highlighted where first and last vowels connect.","kerala_mural_prompt":"Kerala mural: rustic hut scene, guru with stylus, circular nakṣatra wheel with Malayalam-like ornamental script feel, Revatī star emphasized, earthy palette and bold outlines.","tanjore_prompt":"Tanjore: gold-embellished mandala with nakṣatra names, central guru figure, luminous Revatī segment connecting two vowel glyphs, ornate borders.","mysore_prompt":"Mysore: clean pedagogic diagram of nakṣatra-krama letter placement, labeled Revatī junction, guru and student seated with palm-leaf manuscript.","mughal_miniature_prompt":"Mughal miniature: scholar’s hut interior, detailed star-chart on paper, careful calligraphy of letters, Revatī marked with a small star motif, delicate shading."}

Audio Atmosphere: {"recitation_mood":"instructional","suggested_raga":"Hamsadhwani","pace":"medium","voice_tone":"instructional"}

Sandhi Resolution Notes: पूर्णामित्युदिता = पूर्णाम् + इति + उदिता; नक्षेतrekṣakramādyojyā = नक्षेत्र-ईक्ष-क्रमात् + योज्या (आद्योज्या as ā + yojyā); रेवतीयुजौ = रेवती-युजौ.

Related Themes: Agni Purana Lipi-vidyā/varṇa-krama passages; Jyotiṣa chapters listing nakṣatras; Mantra-śāstra mātṛkā-nyāsa contexts

L
Lipi
N
Nakshatra
R
Revatī
G
Gopālaka-kuṭī

FAQs

It teaches Lipi-vidyā: a technical method of organizing a script/letter-system according to nakṣatra order, with a specific rule linking the boundary vowels to the nakṣatra Revatī.

It shows the text’s cross-disciplinary scope by combining linguistic/orthographic rules (lipi, svara ordering) with jyotiṣa (nakṣatra sequencing), reflecting the Purana’s catalog-like treatment of many sciences.

By aligning language (letters and vowels) with cosmic time-markers (nakṣatras), the instruction implies a sacralized, orderly framework for learning and transmitting knowledge—valued as a purifying and merit-supporting discipline in traditional śāstric culture.