गोवर्धनोत्तरविस्मयः, रासलीलाप्रसङ्गः, तथा सर्वव्याप्तिवेदान्तोपदेशः
गोपीकपोलसंश्लेषम् अभिपद्य हरेर् भुजौ पुलकोद्गमसस्याय स्वेदाम्बुघनतां गतौ
gopīkapolasaṃśleṣam abhipadya harer bhujau pulakodgamasasyāya svedāmbughanatāṃ gatau
حين ضمّ هري الغوبيات خدًّا إلى خدّ، شدّت ذراعاه عليهنّ؛ وتلك الذراعان الإلهيتان، وقد نبت فيهما زرعُ النشوة قشعريرةً، ثقلتا بقطرات العرق كغيمٍ مثقلٍ بالماء.
Sage Parāśara (narrating to Maitreya)
Speaker: Parasara
Topic: Signs of ecstatic devotion (pulaka, sveda) in divine-human līlā
Teaching: Devotional
Quality: revealing
Avatara: Krishna
Purpose: To reciprocate with the gopīs’ prema and reveal divine embodiment that participates in līlā while remaining supremely sacred.
Leela: Moksha-dana
Dharma Restored: Sanctification of divine intimacy; affirmation that Bhagavān’s body is divya and responsive in love
Concept: Ecstatic transformations (pulaka, sveda) signify the intensification of God-centered love and the Lord’s responsive closeness.
Vedantic Theme: Moksha
Application: Value inner transformation over display; let devotion mature into steady, humble absorption rather than mere emotion-seeking.
Vishishtadvaita: The Lord’s divya-vigraha engages relationally with devotees, supporting the doctrine that Brahman is personal and approachable while remaining the supreme reality.
Vishnu Form: Hari
Bhakti Type: Madhurya
They are classical markers of devotional ecstasy, showing how proximity to Hari produces overwhelming bliss that manifests even in the body.
Through poetic, sensory imagery—cheek-to-cheek embrace and the ‘harvest’ of rapture—Parāśara depicts bhakti as a direct, transformative encounter with the Supreme.
Hari is presented as the supreme Lord who freely reveals himself in lila; the intimacy underscores his grace and the soul’s consummation through loving devotion.