HomeVaraha PuranaAdhyaya 5Shloka 44
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Varaha Purana 5.44: Adhyaya 5, Shloka 44

Reconciliation of Action and Knowledge: Offering All Acts to Nārāyaṇa and the Hymn to the Yajña-Puruṣa

नैमिषाख्यं वरारोहे तत्र यज्ञतनुं गुरुम् । तपसाराधयामास यज्ञमूर्तिं स्तवेन् च ॥ ५.४४ ॥

Sanskrit recitationVaraha Purana 5.44

naimiṣākhyaṃ varārohe tatra yajñatanuṃ gurum | tapasārādhayāmāsa yajñamūrtiṃ stavena ca || 5.44 ||

يا ذاتَ العجيزةِ الحسناء، في الموضع المسمّى نَيْمِشَا، هناك استرضى بالتقشّف وبالمديح المعلّمَ الجليلَ الذي جسدُه هو القربان، وهو عينُ تجسّدِ اليَجْنَا.

नैमिष-आख्यम्named Naimiṣa
नैमिष-आख्यम्:
Karma (कर्म)
TypeAdjective
Rootनैमिष (प्रातिपदिक) + आख्य (प्रातिपदिक)
Formतत्पुरुष-समास (नैमिष इति आख्या यस्य तत्); नपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण (qualifying गुरुम्/यज्ञतनुम्)
वरारोहेO fair-limbed lady
वरारोहे:
Sambodhana (सम्बोधन)
TypeNoun
Rootवर (प्रातिपदिक) + आरोह (प्रातिपदिक)
Formकर्मधारय-समास (वरा आरोहा इव); स्त्रीलिङ्ग, संबोधन, एकवचन
तत्रthere
तत्र:
Adhikaraṇa (अधिकरण)
TypeIndeclinable
Rootतत्र (अव्यय)
Formअव्यय; देशवाचक क्रियाविशेषण (locative adverb)
यज्ञ-तनुम्the embodiment of sacrifice
यज्ञ-तनुम्:
Karma (कर्म)
TypeNoun
Rootयज्ञ (प्रातिपदिक) + तनु (प्रातिपदिक)
Formतत्पुरुष-समास (षष्ठी: यज्ञस्य तनुः); पुल्लिङ्ग, द्वितीया, एकवचन
गुरुम्the venerable one / teacher
गुरुम्:
Karma (कर्म)
TypeNoun
Rootगुरु (प्रातिपदिक)
Formपुल्लिङ्ग, द्वितीया, एकवचन; विशेषण/उपाधि
तपसाby austerity
तपसा:
Karaṇa (करण)
TypeNoun
Rootतपस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया, एकवचन
आराधयामासworshipped
आराधयामास:
Kriyā (क्रिया)
TypeVerb
Rootआ-राध् (धातु)
Formलिट् (Perfect) परिप्रयोग/परस्मैपदम्; प्रथमपुरुष, एकवचन (periphrastic perfect sense: he worshipped)
यज्ञ-मूर्तिम्the form of sacrifice
यज्ञ-मूर्तिम्:
Karma (कर्म)
TypeNoun
Rootयज्ञ (प्रातिपदिक) + मूर्ति (प्रातिपदिक)
Formतत्पुरुष-समास (षष्ठी: यज्ञस्य मूर्तिः); स्त्रीलिङ्ग, द्वितीया, एकवचन
स्तवेनwith a hymn
स्तवेन:
Karaṇa (करण)
TypeNoun
Rootस्तव (प्रातिपदिक)
Formपुल्लिङ्ग, तृतीया, एकवचन
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक (conjunction)

Varāha (default dialogue frame)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"instructor"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"topic":"prayaschitta","instruction_summary":"At a great tīrtha (Naimiṣa), one should propitiate the Yajña-embodied Lord through tapas and stotra as a purificatory discipline.","karmic_consequence":"Tapas and praise at a sacred site cleanse sin and strengthen devotion; neglect of such purification prolongs karmic residue."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"Yajña as the Lord’s body: ritual is not merely action but a theophany; the ‘teacher’ (guru) is the Yajña-mūrti, implying that cosmic order is sustained by the divine-as-sacrifice.","yajna_varaha_imagery":"Implicit yajña-tanu mapping (Lord as sacrifice-body rather than boar anatomy).","vedantic_connection":"Bridges karma (yajña/tapas) with devotion: the object of ritual is the immanent divine principle; points toward seeing all sacred action as Brahman-oriented."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"Ritual philosophy (yajña as divine embodiment)","core_concept":"The Lord is Yajña itself; austerity and hymn are modes of approaching the cosmic order-person.","practical_application":"Undertake disciplined practice (fasting, japa, restraint) and stotra-recitation, ideally in sacred settings or with sacred intention, treating worship as participation in yajña."}

Subject Matter: ["Geography","Heritage Sites","Ethics"]

Primary Rasa: śānta

Secondary Rasa: bhakti

Type: forest-tīrtha / sacred hermitage region

Related Themes: 5.5.45-46 (request and sample stotra to Yajña-Nārāyaṇa)

Visual Art Cues: {"scene_description":"At Naimiṣa, the king performs austerities and sings praises to the venerable Yajña-embodied Lord, portrayed as a guru-like divine presence.","item_prompts":["forest hermitage at Naimiṣa","ascetic king with matted hair or simple garments","fire-altar (vedi) and sacrificial implements","radiant deity/guru figure labeled Yajña-mūrti"],"kerala_mural_prompt":"Kerala mural: dense sacred forest, stylized altar flames; deity as serene Yajña-person with ritual emblems; king in tapas posture; warm ochres and greens.","tanjore_prompt":"Tanjore: deity as central icon with gold halo; altar and offerings in foreground; king kneeling; ornate frame suggesting sanctity of tīrtha.","mysore_prompt":"Mysore: balanced composition with refined altar details; soft glow around deity; contemplative facial expressions; minimal but elegant forest backdrop.","pahari_prompt":"Pahari: lyrical forest scene with small fire-altar; delicate hymn-recitation gesture; deity appearing as luminous presence amid trees; cool, airy palette."}

Audio Atmosphere: {"recitation_mood":"devotional, austere","suggested_raga":"Bhairav","pace":"slow","voice_tone":"deep, steady, slightly hushed"}

C
Classical Literature
P
Purāṇic Studies
V
Vaishnavism
S
Sacred Geography

FAQs

It reflects a Purāṇic literary pattern in which renowned sacred sites (tīrthas/āraṇyas) are linked with ascetic practice and ritual ideology, presenting Naimiṣa as a culturally important locus for tapas and liturgical praise.

Naimiṣa (often identified with Naimiṣāraṇya in later Sanskrit tradition), commonly associated in scholarship with a forest-sacred region in present-day Uttar Pradesh, India (around the Nimsar area).

The verse foregrounds disciplined practice (tapas) and respectful speech (stava, praise) as complementary modes of approach to a teacher/ideal, emphasizing reverence, self-regulation, and intentionality rather than coercive obligation.

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