Previous Verse
Next Verse

Varaha Purana 45.3: Adhyaya 45, Shloka 3

Ritual Procedure for Worship of Rāma and Lakṣmaṇa in the Month of Jyeṣṭha

उरः संवत्सरायेति कण्ठं संवर्त्तकाय च । सर्वास्त्रधारिणे बाहू स्वनाम्ना अब्जरथाङ्गकौ ॥ ४५.३ ॥

Sanskrit recitationVaraha Purana 45.3

uraḥ saṃvatsarāyeti kaṇṭhaṃ saṃvarttakāya ca | sarvāstradhāriṇe bāhū svanāmnā ’bjarathāṅgakau || 45.3 ||

«(يُسند) الصدر إلى سَمْفَتْسَرَ (Saṃvatsara)، والحلق إلى سَمْفَرْتَّكَ (Saṃvarttaka)؛ وأما الذراعان—حاملا جميع الأسلحة—فيُسميان باسميهما: “أبجارَثا” و“أنغَكَ”.»

उरःchest
उरः:
Karma (कर्म)
TypeNoun
Rootउरस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd case), एकवचन; indeclinable-like form in -as (uras)
संवत्सरायto Saṃvatsara (the year-deity)
संवत्सराय:
Sampradana (सम्प्रदान)
TypeNoun
Rootसंवत्सर (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी (4th/Dative), एकवचन
इतिthus
इति:
Sambandha (सम्बन्ध/उद्धरणसूचक)
TypeIndeclinable
Rootइति (अव्यय)
Formअव्यय; quotation marker/particle (इति)
कण्ठम्neck/throat
कण्ठम्:
Karma (कर्म)
TypeNoun
Rootकण्ठ (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
संवर्तकायto Saṃvartaka
संवर्तकाय:
Sampradana (सम्प्रदान)
TypeNoun
Rootसंवर्तक (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी (4th/Dative), एकवचन
and
:
Sambandha (सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय (conjunction)
सर्वास्त्रधारिणेto the bearer of all weapons
सर्वास्त्रधारिणे:
Sampradana (सम्प्रदान)
TypeNoun
Rootसर्व + अस्त्र + धारिन् (प्रातिपदिक); धारिन् from √धृ (धातु)
Formपुंलिङ्ग, चतुर्थी (4th/Dative), एकवचन; षष्ठी-तत्पुरुष/उपपद-तत्पुरुष sense: ‘bearing all weapons’
बाहूthe two arms
बाहू:
Karma (कर्म)
TypeNoun
Rootबाहु (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), द्विवचन
स्वनाम्नाby their own name
स्वनाम्ना:
Karana (करण)
TypeNoun
Rootस्व + नामन् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; ‘by/with one’s own name’
अब्जरथाङ्गकौthe two (called) Abjarathāṅgaka
अब्जरथाङ्गकौ:
Karma (कर्म)
TypeNoun
Rootअब्ज + रथ + अङ्ग (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा/द्वितीया (1st/2nd), द्विवचन; बहुपद-तत्पुरुष: ‘having lotus and chariot-limbs/marks’ (name/epithet)

Varāha (default, per dialogue framework when not explicit)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"absorbed; integrating cosmology with iconography","key_question":"How are time-powers and divine weapon-bearing aspects to be installed/recognized in the deity’s limbs during worship?"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":true,"instruction_summary":"Continue aṅga-pūjā/nyāsa: assign the chest to Saṃvatsara, the throat to Saṃvarttaka, and worship the two arms (bearers of all weapons) with the names Abjaratha and Aṅgaka.","karmic_consequence":"Aligning worship with cosmic/time deities and the Lord’s protective arms is held to confer completeness and protection; disorder/omission reduces ritual fullness (implied)."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The Lord’s body is a time-cosmos: chest as Saṃvatsara (year-cycle sustaining life), throat as Saṃvarttaka (dissolution/fire principle), arms as universal protection through all astras.","yajna_varaha_imagery":"Body-as-yajña mapping by function: time (saṃvatsara) as sustaining rhythm, saṃvarttaka as transformative/dissolving force, arms as kṣatra/protection enabling dharma.","vedantic_connection":"Non-dual support: time and dissolution are not outside the Lord; they are powers (śakti) within saguna manifestation, aiding contemplation of īśvara as both sustainer and reabsorber."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"cosmological theism (īśvara as kāla)","core_concept":"Kāla (time) and saṃhāra (reabsorption) are divine modalities; devotion matures when it recognizes these within the Lord’s form.","practical_application":"While worshipping, contemplate the year-cycle in the chest (life-sustaining order) and dissolution-force in the throat (transformative power), seeking steadiness and fearlessness."}

Subject Matter: ["Cosmology","Iconography","Time Cycles","Theology (descriptive, non-sectarian)"]

Primary Rasa: shanta

Secondary Rasa: bhakti

Type: ritual-visualization space (internalized icon)

Related Themes: Varāha Purāṇa 45.45.1-2: preceding limb-worship instructions; 45.45.3 continues upward mapping

Visual Art Cues: {"scene_description":"A close, iconographic focus on the deity’s torso and arms: chest marked for Saṃvatsara, throat for Saṃvarttaka, and both arms emphasized as weapon-bearing protectors named Abjaratha and Aṅgaka.","item_prompts":["Viṣṇu torso with symbolic markings","year-wheel motif on chest","flame/transformative motif near throat (subtle)","arms holding or implying multiple astras (chakra, śaṅkha, gadā, etc.)","labels/inscriptions of Saṃvatsara, Saṃvarttaka, Abjaratha, Aṅgaka"],"kerala_mural_prompt":"Kerala mural: stylized torso with emblematic motifs; arms symmetrically posed with weapons; decorative script bands naming the aspects.","tanjore_prompt":"Tanjore: gold-leaf emphasis on weapons and ornaments; chest emblem as jeweled wheel; throat area with subtle fiery aureole.","mysore_prompt":"Mysore: refined anatomical proportion, delicate weapon detailing, soft glow around chest/throat symbols.","pahari_prompt":"Pahari: lyrical depiction with symbolic wheel and flame motifs, gentle courtly palette, narrative clarity of limb assignments."}

Audio Atmosphere: {"recitation_mood":"contemplative-mantric","suggested_raga":"Todi","pace":"slow","voice_tone":"deep, steady, meditative"}

C
Classical Literature
P
Purāṇic Studies
S
Sanskrit Philology
V
Vaiṣṇava Narrative Traditions

FAQs

It reflects a Purāṇic literary method of correlating bodily features with cosmic principles (e.g., time-cycles and dissolution), a technique used for systematizing cosmology and iconography in classical Sanskrit traditions.

No geographic location is named in this verse; the content is primarily cosmological and iconographic rather than topographical.

The verse is descriptive rather than prescriptive; its philosophical emphasis is on perceiving ordered correspondences between the cosmos (time/dissolution) and embodied form, supporting a worldview of structured interrelation.

Ask anything about this verse

Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.

Not sure where to start?

A free Google sign-in keeps your chat saved across web and the app.

Read Varaha Purana in the Vedapath app

Scan the QR code to open this directly in the app, with word-by-word meanings, Sanskrit recitation where available, and more.

Continue reading in the Vedapath app

Open in App