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Varaha Purana 197.39 — Adhyaya 197, Shloka 39

The Division of the Gates of Yama’s City and the Description of the Tribunal Hall

एकबाहुर्द्विबाहुश्च त्रिबाहुर्बहुबाहुकः ॥ शङ्कुकर्णा महाकर्णा हस्तिकर्णास्तथाऽपरे

ekabāhur dvibāhuś ca tribāhur bahubāhukaḥ || śaṅkukarṇā mahākarṇā hastikarṇās tathā’pare

فمنهم ذو ذراعٍ واحدة، ومنهم ذو ذراعين، ومنهم ذو ثلاث أذرع، ومنهم كثير الأذرع؛ ومنهم من كانت آذانُه كالمحارة، ومنهم عظيمُ الأذن، ومنهم أيضًا من كانت آذانُه كآذان الفيل.

एक-बाहुःone-armed
एक-बाहुः:
कर्ता (कर्ता/Subject)
TypeAdjective
Rootएक (संख्या-प्रातिपदिक) + बाहु (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा (1st), एकवचन; द्विगुसमासः (एकः बाहुः यस्य)
द्वि-बाहुःtwo-armed
द्वि-बाहुः:
कर्ता (कर्ता/Subject)
TypeAdjective
Rootद्वि (संख्या-प्रातिपदिक) + बाहु (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा (1st), एकवचन; द्विगुसमासः
and
:
सम्बन्ध (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formअव्ययम्; समुच्चयबोधक
त्रि-बाहुःthree-armed
त्रि-बाहुः:
कर्ता (कर्ता/Subject)
TypeAdjective
Rootत्रि (संख्या-प्रातिपदिक) + बाहु (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा (1st), एकवचन; द्विगुसमासः
बहु-बाहुकःmany-armed
बहु-बाहुकः:
कर्ता (कर्ता/Subject)
TypeAdjective
Rootबहु (प्रातिपदिक) + बाहुक (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा (1st), एकवचन; कर्मधारयः/तत्पुरुषार्थः (बहवो बाहवः यस्य)
शङ्कु-कर्णाःcone-eared/with spike-like ears
शङ्कु-कर्णाः:
कर्ता (कर्ता/Subject)
TypeAdjective
Rootशङ्कु (प्रातिपदिक) + कर्ण (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा (1st), बहुवचन; कर्मधारयः (शङ्कुवत् कर्णाः)
महा-कर्णाःbig-eared
महा-कर्णाः:
कर्ता (कर्ता/Subject)
TypeAdjective
Rootमहा (प्रातिपदिक) + कर्ण (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा (1st), बहुवचन; कर्मधारयः
हस्ति-कर्णाःelephant-eared
हस्ति-कर्णाः:
कर्ता (कर्ता/Subject)
TypeAdjective
Rootहस्ति (प्रातिपदिक) + कर्ण (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा (1st), बहुवचन; उपमान-तत्पुरुषः (हस्तिकर्णवत्)
तथाalso/likewise
तथा:
सम्बन्ध (Adverbial)
TypeIndeclinable
Rootतथा (अव्यय)
Formअव्ययम्; समुच्चय/प्रकारवाचक (adverb)
अपरेothers
अपरे:
कर्ता (कर्ता/Subject)
TypeNoun
Rootअपर (प्रातिपदिक)
Formपुंलिङ्गे, प्रथमा (1st), बहुवचन

Varāha (default dialogue framework; speaker not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"uneasy, fascinated by the grotesque detail","key_question":"What is the significance of these abnormal bodies—many arms and strange ears—and what moral or cosmological principle do such deformities illustrate?"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}

Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":false,"symbolic_interpretation":"None","yajna_varaha_imagery":"None","vedantic_connection":"None"}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"karma and saṃskāra externalization","core_concept":"Excess, imbalance, and misdirected agency can be portrayed as bodily excess (many arms) or warped receptivity (conch/elephant-like ears).","practical_application":"Train the senses and actions (indriya-nigraha, right use of power) so agency does not become chaotic or harmful."}

Subject Matter: ["Cosmology","Ethics"]

Primary Rasa: adbhuta

Secondary Rasa: bhayanaka

Type: otherworldly assembly

Related Themes: Varaha Purana 197 (continuing morphological taxonomy)

Visual Art Cues: {"scene_description":"A close-up sequence of beings with varying numbers of arms—one, two, three, many—and striking ears: conch-shaped, huge, and elephant-like, creating a surreal bestiary tableau.","item_prompts":["figures with 1/2/3/many arms","conch-shaped ears","oversized ears","elephant-ear silhouettes","surreal crowd composition"],"kerala_mural_prompt":"Kerala mural bestiary panel; rhythmic repetition of arm counts; ornate ear shapes; strong facial expressions; warm earthy palette with black accents.","tanjore_prompt":"Tanjore-style segmented narrative: each figure type in a compartment; gold borders; jewel-like colors; emphasis on ear shapes as decorative motifs.","mysore_prompt":"Mysore classical rendering with delicate shading; anatomical clarity; controlled grotesquerie; soft background wash.","pahari_prompt":"Pahari miniature with stylized ear exaggeration; playful linework tempered by dark theme; compact grouping and clear silhouettes."}

Audio Atmosphere: {"recitation_mood":"descriptive, uncanny","suggested_raga":"Kafi","pace":"moderate","voice_tone":"narrative, precise articulation of compounds"}

C
Classical Literature
P
Purāṇic Studies
M
Mythic Taxonomies
A
Afterlife Imagery

FAQs

It demonstrates Purāṇic descriptive cataloging through bodily compounds, useful for studying Sanskrit morphology and the visual rhetoric of otherworld narratives.

No geographic location is identified.

The verse is primarily descriptive; ethically it supports the broader didactic atmosphere by emphasizing the uncanny diversity associated with moral-cosmic realms.

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