Varaha Purana 192.4 — Adhyaya 192, Shloka 4
Description of the Universal Peace-Recitation and the Madhuparka Rite
एतदाचक्ष्व तत्त्वेन तत्र यत्परमं महत् ॥ श्रीवराह उवाच ॥ साधु भूमे महाभागे यन्मां त्वं परिपृच्छसि ॥
etad ācakṣva tattvena tatra yat paramaṃ mahat || śrīvarāha uvāca || sādhu bhūme mahābhāge yan māṃ tvaṃ paripṛcchasi ||
بيّن هذا على وفق الحقّ: ما الذي هو في هذا الأمر أعظمُه وأسمى شأنًا. قال شري فاراها: أحسنتِ القول، أيتها الأرض ذات الحظ العظيم، إذ تسألينني هكذا.
Varāha
Varaha Avatara Context: {"is_varaha_focus":true,"earth_interaction":"Varāha directly addresses Bhūmi with approval, inviting her inquiry as the basis for instruction."}
Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"curious; seeking clarity on what is 'paramaṃ mahat' (supremely great) in the matter at hand","key_question":"What is the supremely great (paramaṃ mahat) truth/principle to be explained in this context of ethics and ritual?"}
Mathura Mandala: {"is_mathura_related":false}
Dharma Shastra: {"has_dharma_rule":false}
Vrata Mahatmya: {"has_vrata":false}
Cosmic Boar Symbolism: {"has_symbolism":false}
Philosophical Teaching: {"has_teaching":true,"teaching_type":"epistemic/adhikāra framing","core_concept":"Right questioning (paripraśna) is praised as the gateway to tattva (truth) instruction.","practical_application":"Approach dharma and ritual learning through sincere inquiry and receptivity to śāstra-guided teaching."}
Subject Matter: ["Ethics","Ritual Practice","Pedagogy (dialogue instruction)"]
Primary Rasa: śānta
Secondary Rasa: vātsalya
Type: dialogue-setting (unspecified)
Related Themes: Varāha Purāṇa dialogue framework: Varāha–Bhūmi saṃvāda (surrounding adhyāya context)
Visual Art Cues: {"scene_description":"Varāha as a divine teacher turns toward Bhū-devī, acknowledging her auspicious question; a calm instructional moment rather than combat.","item_prompts":["Varāha with serene expression","Bhū-devī attentive posture","gesture of teaching (vyākhyāna-mudrā)","scriptural ambience (palm-leaf manuscripts or yajña implements as background cues)"],"kerala_mural_prompt":"Kerala mural style: calm Varāha in divine form, rich flat colors, ornate jewelry; Bhū-devī seated respectfully; temple-like backdrop, emphasis on expressive eyes and teaching gesture.","tanjore_prompt":"Tanjore style: Varāha and Bhū-devī with heavy gold ornamentation, embossed halos; minimal background; focus on blessing/teaching posture.","mysore_prompt":"Mysore style: delicate linework, soft shading; Varāha as dignified instructor; Bhū-devī with modest ornaments; warm interior court setting.","pahari_prompt":"Pahari style: lyrical hillside palette; intimate dialogue scene; Varāha and Bhū-devī in a pavilion with stylized flora, emphasizing gentle instruction."}
Audio Atmosphere: {"recitation_mood":"calm-invocation and didactic opening","suggested_raga":"Yaman","pace":"medium-slow","voice_tone":"warm, approving, teacherly"}
FAQs
The explicit speaker marker “uvāca” is characteristic of Purāṇic redaction and helps establish a stable transmission format for oral-recitative literature.
No geographic site is specified here; the verse frames a doctrinal/ritual inquiry.
To seek ‘tattva’—a truth-aligned account—when asking about what is most important in practice.
Ask anything about this verse
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