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Varaha Purana 152.23: Adhyaya 152, Shloka 23

Praise of the Sacred Geography of Mathurā

मूर्तिं चतुर्विधां कृत्वा स्थास्यामि ऋषिभिः स्तुतः ॥ वत्सराणां शतं तत्र युद्धेषु कृतनिश्चयः

Sanskrit recitationVaraha Purana 152.23

mūrtiṃ caturvidhāṃ kṛtvā sthāsyāmi ṛṣibhiḥ stutaḥ || vatsarāṇāṃ śataṃ tatra yuddheṣu kṛtaniścayaḥ

وبعد أن أصوغ تجسّدًا رباعيًّا، سأقيم هناك، ممجَّدًا من الرِّشِيّين (ṛṣis)؛ ولمئة سنة في ذلك الموضع، ثابت العزم في المعارك.

मूर्तिम्a form
मूर्तिम्:
Karma (कर्म/Object)
TypeNoun
Rootमूर्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
चतुर्विधाम्fourfold
चतुर्विधाम्:
Visheshana (विशेषण/Qualifier)
TypeAdjective
Rootचतुर्विध (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; विशेषणम् मूर्तिम् प्रति
कृत्वाhaving made
कृत्वा:
Purvakala-kriya (पूर्वकालक्रिया)
TypeVerb
Rootकृ (धातु)
Formक्त्वान्त-अव्यय (absolutive/gerund), पूर्वकाल (prior action)
स्थास्यामिI shall remain/stand
स्थास्यामि:
Kriya (क्रिया/Verb)
TypeVerb
Rootस्था (धातु)
Formलृट्-लकार (Simple Future), उत्तमपुरुष (1st person), एकवचन; परस्मैपद
ऋषिभिःby sages
ऋषिभिः:
Karana (करण/Instrument/Agent in passive)
TypeNoun
Rootऋषि (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3rd/Instrumental), बहुवचन
स्तुतःpraised
स्तुतः:
Karta (कर्ता/Subject)
TypeVerb
Rootस्तु (धातु)
Formक्त-प्रत्ययान्त कृदन्त (past passive participle), पुंलिङ्ग, प्रथमा, एकवचन; कर्तरि/कर्मणि प्रयोगे 'praised'
वत्सराणाम्of years
वत्सराणाम्:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Rootवत्सर (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/Genitive), बहुवचन
शतम्a hundred
शतम्:
Karma (कर्म/Object)
TypeNoun
Rootशत (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन; परिमाणवाचक (measure)
तत्रthere
तत्र:
Adhikarana (अधिकरण/Locative)
TypeIndeclinable
Rootतत्र (अव्यय)
Formदेशवाचक-अव्यय (adverb of place)
युद्धेषुin battles
युद्धेषु:
Adhikarana (अधिकरण/Locative)
TypeNoun
Rootयुद्ध (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), बहुवचन
कृत-निश्चयःone whose resolve is made / determined
कृत-निश्चयः:
Karta (कर्ता/Subject)
TypeAdjective
Rootकृत (कृ धातोः क्त/कृदन्त) + निश्चय (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन; समासः—कृतः निश्चयः यस्य (कर्मधारय/विशेषण-विशेष्यभाव)

Varāha

Varaha Avatara Context: {"is_varaha_focus":true,"boar_form_detail":"None (focus is on fourfold embodiment rather than boar-physiology)","earth_interaction":"Promises sustained presence ‘there’ (Mathurā) for a fixed mythic duration, for Bhū-devī’s relief and protection"}

Bhu Devi Dialogue: {"is_dialogue":true,"speaker_role":"instructor","bhu_devi_state":"burdened yet hopeful; seeking concrete assurance of protection","key_question":"How will you remain and act there—what form and what duration of protection?"}

Mathura Mandala: {"is_mathura_related":true,"specific_site":"Mathurā (implied continuation from prior verse)","parikrama_context":"Implicit: ‘remaining there’ supports the idea of a stable tīrtha-field where devotees can visit, praise, and circumambulate","krishna_connection":"Foreshadows multi-form presence and prolonged conflict typical of Kṛṣṇa’s Mathurā/Vraja narrative arc (praise by ṛṣis; slaying of foes)"}

Dharma Shastra: {"has_dharma_rule":false}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The ‘fourfold embodiment’ can be read as a theological mapping of the One into functional plurality (vyūha/manifest modalities) for protection, teaching, and battle—divinity adapting to cosmic needs.","yajna_varaha_imagery":"Fourfoldness resonates with ritual/quadripartite structures (caturhotṛ, four Vedas/directions), suggesting avatāra as yajña-order stabilizer.","vedantic_connection":"Ekaṃ sat with nāma-rūpa plurality: the same Brahman/Īśvara appears in multiple upādhis without division of essence; līlā as governance of dharma"}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"theology of embodiment (mūrti-bheda)","core_concept":"Bhagavān can assume multiple forms for distinct functions while remaining one; divine action includes both worship-receiving and battle-waging","practical_application":"Approach diverse icon-forms as one Lord; integrate stuti (praise) with ethical courage—support dharma actively, not only contemplatively"}

Subject Matter: ["Mythic Time","Embodiment Theology","Conflict Narrative"]

Primary Rasa: vīra

Secondary Rasa: adbhuta

Type: kṣetra where divine presence abides

Related Themes: Varāha Purāṇa 152.26 (describes the four forms by color/likeness)

Visual Art Cues: {"scene_description":"Varāha declares he will manifest in four distinct embodiments, remaining in Mathurā, surrounded by praising sages, with a martial undertone of long campaigns.","item_prompts":["Varāha speaking","four luminous silhouettes/forms behind him","group of ṛṣis with añjali and vīṇā/daṇḍa-kamaṇḍalu","battle emblems: bow, mace, conch/discus suggested","time motif: a hundred-year cycle hinted by sun/moon wheel"],"kerala_mural_prompt":"Kerala mural: layered composition—Varāha foreground, four stylized aura-forms behind, ṛṣis in rhythmic rows; decorative weapons and halos; warm earthy palette.","tanjore_prompt":"Tanjore: gold-backed Varāha with four mini-mūrtis in medallions; ṛṣis at base; embossed weapons; rich reds/greens.","mysore_prompt":"Mysore: elegant courtly rendering; subtle fourfold aura; sages with delicate expressions; restrained depiction of weapons.","pahari_prompt":"Pahari: narrative vignette with sages in a grove; four forms as colored clouds; distant Mathurā architecture; gentle but heroic mood."}

Audio Atmosphere: {"recitation_mood":"solemnly heroic","suggested_raga":"Bhairav (or Bilawal for clarity of vow)","pace":"medium","voice_tone":"firm, resonant, vow-like"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇava Theology
M
Mythic Warfare

FAQs

It preserves a Purāṇic pattern where divine presence is described through multiple forms (mūrti), reflecting layered ritual and theological vocabularies in Sanskrit tradition.

The verse uses “tatra” (there) without naming a place; surrounding verses indicate the Mathurā region as the implied setting.

It highlights steadiness and resolve (niścaya) as virtues within a narrative of protection and conflict.

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