आरार्तिकं ततः कृत्वा नृत्यं कुर्याद्यथेच्छया । अष्टांगं प्रणिपत्यैवं गीतवाद्यादिकं ततः
ārārtikaṃ tataḥ kṛtvā nṛtyaṃ kuryādyathecchayā | aṣṭāṃgaṃ praṇipatyaivaṃ gītavādyādikaṃ tataḥ
ثم بعد أداء الآرارتيكا (طقس المصباح)، يجوز أن يرقص المرء كما يشاء. وهكذا، بعد السجود بأطراف الجسد الثمانية، ينصرف إلى الغناء والعزف وسائر ما يُقام تعظيمًا للرب.
Sūta (deduced from section context)
Tirtha: Somnātha at Prabhāsa
Type: kshetra
Scene: A blazing ārati lamp circles before the Somnātha liṅga; devotees raise hands in reverence; some dance in measured steps; musicians play mṛdaṅga and cymbals; a devotee performs āṣṭāṅga-praṇāma on the stone floor as the sanctum glows with firelight.
Bhakti includes both reverent surrender (prostration) and joyful expression (song, music, dance) offered to the deity.
Prabhāsakṣetra, portrayed as a sacred space for both ritual correctness and ecstatic devotion.
Perform ārati, do aṣṭāṅga praṇāma, and then offer devotional music/singing/dance.