तज्जाप्यं परमं प्रोक्तं स्वयं देवेन भानुना । जाप्यस्य विनियोगोऽस्य लक्षणं च निबोध मे । स्तोभसारं श्वासलीनमोंकारादि स्मृतं बुधैः
tajjāpyaṃ paramaṃ proktaṃ svayaṃ devena bhānunā | jāpyasya viniyogo'sya lakṣaṇaṃ ca nibodha me | stobhasāraṃ śvāsalīnamoṃkārādi smṛtaṃ budhaiḥ
هذا الجَپُ مُعلَنٌ أنه الأسمى، وقد علّمه بهاڤنو نفسه، إله الشمس. فاعلم مني كيفية توظيفه وعلاماته: جوهره في مقاطع «ستوبه»، وهو ممتزج بالنَّفَس، ويبتدئ بـ«أوم»—هكذا حفظه الحكماء.
Skanda (deduced)
Tirtha: Prabhāsa-kṣetra
Type: kshetra
Scene: A sage instructs pilgrims at Prabhāsa: the rising Sun (Bhānu) radiates behind, while a seated practitioner performs Oṃ-japa synchronized with breath; subtle stobha syllables are shown as musical glyphs around the head, with the sea-temple horizon of Somnātha implied.
Mantra becomes most potent when united with prāṇa (breath) and anchored in praṇava (Oṃ), with careful attention to its traditional form.
Prabhāsa-kṣetra, where such Sun-taught japa is praised as especially efficacious.
A breath-integrated japa beginning with Oṃ, centered on stobha-elements, with specific viniyoga (ritual application) and lakṣaṇa (features).