शिवलिंगे सामवेदो मर्कटे च मधुप्रियः । नारायणश्च गोमन्ते विदर्भायां द्विज प्रियः
śivaliṃge sāmavedo markaṭe ca madhupriyaḥ | nārāyaṇaśca gomante vidarbhāyāṃ dvija priyaḥ
عند شيفالينغا يُسبَّح بوصفه السامافيدا (Sāmaveda)؛ وعند مَرْكَṭa يُعرَف باسم مَدھوپْرِيَة (Madhupriya)، مُحِبّ الحلاوة. وعند غومَنْتَة هو نارايَنة (Nārāyaṇa)؛ وفي وِداربها يُشتهَر بدْوِجَپْرِيَة (Dvijapriya)، مُحِبّ ذوي الميلادين. هكذا يُمجَّد الربّ الواحد في مواطن قداسة كثيرة.
Sūta (Lomaharṣaṇa) to the sages (deduced from Prabhāsa Māhātmya narrative style)
Tirtha: Śivaliṅga / Markaṭa / Gomanta / Vidarbhā
Type: kshetra
Scene: A procession of four shrines: a radiant liṅga with musical Sāma notes emanating; a playful ‘Markaṭa’ grove-temple where devotees offer honey/sweets to ‘Madhupriya’; a coastal hill/forest of Gomanta with Nārāyaṇa iconography; and a Vidarbha court/agrahāra scene where brāhmaṇas are honored as the Lord’s प्रिय (beloved).
The One Divine is approached through many names and forms; tīrthas reveal distinct epithets while affirming a single supreme reality.
Śivaliṅga, Markaṭa, Gomanta, and the region of Vidarbhā are cited as abodes where the Lord is praised by specific names.
No explicit rite is stated; the verse functions as tīrtha-saṅkīrtana—devotional remembrance of sacred places and divine names.
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