किरातवनिता काचिन्नाम्ना च मणिकर्णिका । अतिकृष्णा विरूपाक्षी कराला भीषणाकृतिः
kirātavanitā kācinnāmnā ca maṇikarṇikā | atikṛṣṇā virūpākṣī karālā bhīṣaṇākṛtiḥ
وكانت هناك امرأةٌ من الكيراطا تُدعى مَنيكَرْنِكَا؛ شديدة السواد، مشوَّهة العينين، هزيلةً غائرةَ الملامح، ذات هيئةٍ مُرعبة.
Pulastya (contextual continuity in Adhyāya 16)
Scene: A stark portrait of a Kirāta woman, dark-complexioned with irregular eyes and gaunt, fearsome features, standing near a sacred waterbody at Prabhāsa; sages in the distance foreshadow a miracle.
Tīrtha-māhātmya often begins by showing worldly limitation or suffering, preparing the ground for the sacred place’s transforming power.
The narrative is part of Maṇikarṇikā tīrtha’s māhātmya, explaining the background of the name and legend.
None directly; this verse introduces a character central to the tīrtha’s sacred account.