सहीश्वरस्यावतारो भर्त्ता दाताऽभयस्य सः । तथैव त्वामहं याचे द्रव्यशुद्धिप्सया । पूर्व ममालयं देहि देयार्थे प्रार्थनापरः
sahīśvarasyāvatāro bharttā dātā'bhayasya saḥ | tathaiva tvāmahaṃ yāce dravyaśuddhipsayā | pūrva mamālayaṃ dehi deyārthe prārthanāparaḥ
إنّ الملكَ حقًّا تجلٍّ للربّ، حامٍ وواهِبٌ للأمانِ من الخوف. وبالروحِ نفسها أتضرّعُ إليك، راغبًا في طهارةِ المالِ المُعَدِّ للعطاء. فامنحني أوّلًا مسكنًا، إذ إنّي مُواظِبٌ على هذا الطلبِ لأجلِ تقديمِ هبةٍ لائقةٍ على نهجِ الدَّرما.
Nārada
Type: kshetra
Listener: king
Scene: Nārada praises the king as īśvara’s embodiment—protector and giver of fearlessness—then requests first a dwelling-place, implying an āśrama/maṭha/temple residence to anchor future gifts.
Dāna is not only about quantity but purity: wealth and resources used for charity should be obtained and sanctioned in a dharmic way.
No tīrtha is specified; the focus is on dharmic giving and the king’s role as guardian of social order.
Implicitly, it highlights dāna with śuddha-dravya (pure means/resources); it also mentions seeking a place (ālaya) as a prerequisite for intended giving.