उपेंद्रतप्तानि तपांसि तैश्चिरं स्नाता हि ते चाखिलतीर्थसार्थकैः । स्नात्वेह ये वै मणिकर्णिका ह्रदे समासते मुक्तिजनाश्रयेक्षणम्
upeṃdrataptāni tapāṃsi taiściraṃ snātā hi te cākhilatīrthasārthakaiḥ | snātveha ye vai maṇikarṇikā hrade samāsate muktijanāśrayekṣaṇam
بهم تُعدّ الزُّهُودُ والتقشّفاتُ المماثلةُ لما قام به أوبيندرا كأنها مُورِسَتْ زمنًا طويلًا؛ بل كأنهم قد اغتسلوا دفعةً واحدةً بفاعلية جميع التيِرثات. ومن اغتسل هنا في غدير مانيكارنيكا ثم جلس ولو لحظةً عند ملجأ طالبي الموكشا نال تلك القدرة المُطهِّرة.
Śiva
Tirtha: Maṇikarṇikā-hrada (Maṇikarṇikā-kuṇḍa)
Type: ghat
Listener: Acyuta (Viṣṇu)
Scene: Maṇikarṇikā pool shimmering beside the Ganga; a pilgrim bathes, then sits in still contemplation near a luminous ‘mukti-āśraya’ spot. A faint vision of Viṣṇu as Upendra performing tapas appears as a comparative motif, dissolving into the pool’s radiance.
Kāśī’s Maṇikarṇikā is portrayed as a concentrated field of merit where bathing and even brief abiding equals vast tapas and tīrtha-fruit.
Maṇikarṇikā-hrada (the Maṇikarṇikā sacred pool/ford) in Kāśī.
Snāna at Maṇikarṇikā-hrada, followed by sitting/abiding even briefly at the mukti-janāśraya (refuge associated with liberation-seekers/liberated ones).