वरमेतेपि पशव आनंदवनचारिणः । सदानंदाः पुनर्देवाननंदनवनाश्रिताः
varametepi paśava ānaṃdavanacāriṇaḥ | sadānaṃdāḥ punardevānanaṃdanavanāśritāḥ
بل إن هذه الحيوانات التي تجول في «آناندافانا» (كاشي) أَولى وأفضل، لأنها دائمة في الآناندا؛ أمّا الآلهة، وإن سكنت بستان «نَندَنَة»، فليست إلا «مسرورة» من جديد—وفرحها ليس من ذلك المقام.
Skanda (deduced: Kāśīkhaṇḍa narrative typically Skanda to Agastya)
Tirtha: Ānandavana (Kāśī)
Type: kshetra
Listener: Audience seeking tīrtha-mahattva
Scene: Split-scene contrast: left—Ānandavana in Kāśī with serene animals bathed in Śiva’s aura; right—Nandana-grove in Svarga with gods enjoying pleasures, yet their joy appears lighter and transient; Kāśī side radiates deeper stillness.
Kāśī’s bliss (ānanda) is depicted as deeper and more constant than heavenly pleasure, making even its animals spiritually ‘fortunate’.
Ānandavana in Kāśī (Vārāṇasī), contrasted with the gods’ Nandana-vana in svarga.
None; the verse is comparative Mahātmya (Kāśī’s greatness over heaven).