कलावानेक एवास्ति त्रिदिवेपि दिवौकसाम् । तस्य क्षोणिभृतः क्षोण्यां जनाः सर्वे कलालयाः
kalāvāneka evāsti tridivepi divaukasām | tasya kṣoṇibhṛtaḥ kṣoṇyāṃ janāḥ sarve kalālayāḥ
حتى في السماوات الثلاث، بين الآلهة، لا يوجد حقًّا إلا واحدٌ موفورُ الكمال؛ أمّا على الأرض، وتحت سلطان ذلك الملك الحاملِ عبءَ البلاد، فإن جميع الناس يصيرون مساكنَ للإنجاز والتمام.
Skanda (deduced; Kāśīkhaṇḍa context typically Skanda → Agastya)
Tirtha: Kāśīkṣetra (Avimukta)
Type: kshetra
Listener: Śaunaka and the Naimiṣāraṇya sages (frame; not explicit here)
Scene: A panegyric tableau: Kāśī as a radiant city on the Gaṅgā, with a dharmic king/guardian bearing the ‘burden of the land’ while citizens shine as accomplished, auspicious figures; above, a subdued svarga contrasts with Kāśī’s splendor.
Kāśī’s dharmic order is portrayed as so elevating that ordinary people can embody excellence, surpassing even celestial exclusivity.
Kāśī (Vārāṇasī) is implied as the sanctified realm where righteous governance and sacred atmosphere uplift society.
No explicit ritual is prescribed here; the emphasis is on the merit (puṇya) of dharmic life and rule within Kāśī.