तेजोगर्भा तपःसारा त्रिपुरारि शिरोगृहा । त्रयीस्वरूपिणी तन्वी तपनांगजभीतिनुत्
tejogarbhā tapaḥsārā tripurāri śirogṛhā | trayīsvarūpiṇī tanvī tapanāṃgajabhītinut
هي التي في جوفها إشراق، وجوهرها الزهد والتقشّف (تَبَس)؛ تقيم على رأس قاتل تريبورا (شيفا)؛ وهي صورة الفيدات الثلاث. رقيقة لطيفة الحضور—تُمدَح بأنها التي ترتعد أمامها حتى ذرية الشمس خوفاً.
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Tirtha: Gaṅgā in Kāśī
Type: ghat
Listener: Ṛṣis/assembly (Kāśī-māhātmya audience)
Scene: Gaṅgā as a slender, radiant goddess emerging as a luminous stream from Śiva’s matted locks; Vedic aura (trayī) encircles her; celestial beings, including Sūrya’s attendants, stand in reverent awe.
The Goddess is presented as the inner radiance and Vedic essence itself; devotion to her aligns one with tapas, Vedic truth, and Śiva’s supreme refuge.
The verse occurs within the Kāśīkhaṇḍa’s praise-context, implicitly rooting the stuti in Kāśī (Vārāṇasī) as the premier field of Śiva-Śakti worship.
No explicit rite is stated here; the implied practice is nāma-stuti (praise/recitation of divine epithets) as a dharmic act in Kāśī.