नमो नमः स्वरूपाय पंचबुद्धींद्रियात्मने । क्षित्यादिपंचरूपाय नमस्ते विषयात्मने
namo namaḥ svarūpāya paṃcabuddhīṃdriyātmane | kṣityādipaṃcarūpāya namaste viṣayātmane
سجودٌ بعد سجودٍ لك، يا من حقيقتُه هي الحواسّ الخمس للمعرفة؛ وسلامٌ لك، يا من أنتَ الأشكال الخمسة ابتداءً من الأرض، وأنتَ أيضًا موضوعاتُ الإحساس.
Unspecified (Devotional eulogy within Dharmāraṇya narrative; likely a sage or narrator-voice)
Scene: A contemplative sage offers repeated namaskāra to a cosmic deity whose body subtly contains the five jñānendriyas, the five elements, and the shimmering field of sense-objects; the world appears as a mandala within the deity.
The Divine pervades both the perceiver and the perceived—senses, elements, and objects—inviting sacred awareness in all experience.
The focus is metaphysical; within Dharmāraṇya’s Mahātmya it frames the forest-tīrtha as a place where the whole world is seen as divine.
No external rite is listed; repeated namaskāra and mindful devotion are implied.