ग्रीष्मे पञ्चाग्निसंतप्तो वर्षासु स्थण्डिलेशयः । हेमन्ते जलमध्यस्थो वायुभक्षः शतं समाः
grīṣme pañcāgnisaṃtapto varṣāsu sthaṇḍileśayaḥ | hemante jalamadhyastho vāyubhakṣaḥ śataṃ samāḥ
في الصيف احتمل لهيبَ النيران الخمس؛ وفي موسم الأمطار اضطجع على الأرض العارية؛ وفي الشتاء لبث في وسط المياه. وكان يقتات بالهواء وحده، فداوم على تلك الرياضات مئةَ سنة.
Mārkaṇḍeya
Tirtha: Revā (Narmadā) taṭa
Type: river
Listener: Mahārāja (king)
Scene: Triptych of seasons around one ascetic: summer—five fires blazing; monsoon—ascetic on bare ground under rain; winter—ascetic standing in water; a subtle count of ‘hundred years’ suggested by a cycle wheel or repeated moons.
Steadfast austerity, maintained through all seasons, is praised as a purifying force that ripens spiritual merit.
The setting continues on the Narmadā/Revā bank, a hallmark of the Revā Khaṇḍa’s tīrtha culture.
Pañcāgni-tapas, sleeping on bare ground, water-standing in winter, and vāyu-bhakṣaṇa (air-subsistence) are described as ascetic observances.