कपालपाणिर्भगवान्बालकैर्बहुभिर्वृतः । क्वचिद्गायन्हसंश्चैव नृत्यन्वदन् क्वचित्क्वचित्
kapālapāṇirbhagavānbālakairbahubhirvṛtaḥ | kvacidgāyanhasaṃścaiva nṛtyanvadan kvacitkvacit
كان الربّ المبارك، وفي يده قدحُ جمجمة، محاطًا بكثيرٍ من الصبيان؛ تارةً يغنّي ويضحك، وتارةً يرقص ويتكلّم، حينًا هنا وحينًا هناك.
Mārkaṇḍeya (deduced from section flow)
Tirtha: Ekaśālā (contextual)
Type: kshetra
Listener: Pārtha (implied)
Scene: Śiva with a skull-bowl wanders amid many boys, alternating between song, laughter, dance, and speech, moving unpredictably through lanes and courtyards.
The Lord is not bound by social expectations—His līlā draws hearts through intimacy, joy, and wonder, making devotion natural.
The Revā (Narmadā) corridor of pilgrimage, where such divine episodes establish local sanctity.
None explicitly; the narrative supports smaraṇa/śravaṇa (remembering/hearing) as devotion-building practices.
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