उपोष्य जागरं कुर्याद्गीतवाद्यं विशेषतः । एवं कृते महीपाल न भवेदुग्रदुःखभाक्
upoṣya jāgaraṃ kuryādgītavādyaṃ viśeṣataḥ | evaṃ kṛte mahīpāla na bhavedugraduḥkhabhāk
وبعد الصيام، فليقم بسَهَرٍ تعبّديٍّ ليليّ—وخاصةً بالترتيل المقدّس والعزف—فإذا فُعِل ذلك، أيها الملك، لا يصير المرءُ نصيبَ حزنٍ شديد.
Mārkaṇḍeya (contextual, advising Yudhiṣṭhira)
Tirtha: Revā-tīra (vrata-jāgaraṇa)
Type: ghat
Listener: King (mahīpāla)
Scene: Night at the riverbank: devotees seated around lamps, singing with cymbals and drums; the altar glows; the king participates in vigil, fasting, attentive and calm.
Discipline (fasting) joined with devotion (vigil, song, music) transforms karmic burden and protects the devotee from intense grief.
The instruction is framed within Revā Khaṇḍa’s pilgrimage ethos centered on the Narmadā region, where vrata-observance supports tīrtha merit.
Perform upavāsa (fasting) and jāgaraṇa (night vigil), accompanied especially by gīta-vādya (devotional singing and instruments).
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