Mantra 4

Pavamāna-sāman (generic; specific tune not stated in input)

{ "prastava": "(Typical) stobha-led opening such as ‘hā/ho/i’ may precede the first word; exact stobha not provided for this mantra.", "udgitha": "Core text from ‘etamu tyaṃ … bibhratam’ elongated per gāna rules; semantic peaks receive prolation.", "pratihara": "Responsive reprise of the main cadence (often around a key epithet such as sahasradhāra/vṛṣabha).", "upadrava": "After-song continuation tightening the cadence and preparing closure.", "nidhana": "Closing formulaic ending (often with prolonged vowel and communal unison).", "structure_notes": "In Kauthuma practice, archika verses are expanded in gāna with stobhas and vowel-lengthening; without the specific gāna, only the standard fivefold mapping can be indicated.", "singer_assignments": "Prastotṛ: prastāva; Udgātṛ: udgītha + upadrava; Pratihartṛ: pratihāra; all three: nidhana" }

{ "gloss_summary": "Soma is called madacyuta because it causes mada (exhilaration) to flow, chiefly for Indra; sahasradhāra refers to the many rivulets produced in straining; divoduh is taken as producing ‘divine/heavenly’ wealth and benefit for the sacrificer; ‘bearing all riches’ indicates its capacity to bring every desirable good to the rite.", "ritual_interpretation": "The verse is mapped onto the visible purification: Soma’s flow through the pavitra is the ‘thousand streams’; its ‘bull’ power is its invigorating efficacy in the offering cycle.", "theological_insight": "Soma is both substance and deity: the same flow that becomes offering is the divine agency that generates prosperity and heavenly attainment.", "etymology_highlights": "madacyuta = madaṃ cyāvayati (makes exhilaration move/flow); sahasradhāra = many dhārās in the filter; divoduh = divyaṃ payaḥ/vasu ‘milked’ for the yajamāna" }