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अयोध्याकाण्डे पञ्चषष्टितमः सर्गः · Daśaratha’s Death Discovered in the Palace
Morning Rites Turn to Lament
ततस्तु स्तुवतां तेषां सूतानां पाणिवादकाः ।
अपदानान्युदाहृत्य पाणिवादा नवादयन् ॥४॥
tatas tu stuvatāṁ teṣāṁ sūtānāṁ pāṇivādakāḥ |
apadānāny udāhṛtya pāṇivādā navādayan ||4||
ثمّ، وبينما كان أولئك السُّوتا ينشدون، أخذ ضاربو الكفّين يضبطون الإيقاع؛ يروون مآثر الملك المشهودة ويُسمِعون تصفيقهم المنتظم.
While the bards sang the praise of the king, those who praise clapping their palms clapped, citing the wonderful deeds of Dasaratha.
Dharma is supported by remembrance of worthy deeds: public recitation of a ruler’s apadāna functions as moral education and social validation of righteous kingship.
Court performers accompany bardic praise with rhythmic clapping, recounting notable deeds in a celebratory palace setting.
Gratitude and civic admiration—preserving a ruler’s reputation through collective performance and recollection.
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