The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
आकर्षणी च विख्याता तथैवावे शकारिणी । उन्मादिनी महापूर्वा कुशाथो खेचरी मता ॥ ४७ ॥
ākarṣaṇī ca vikhyātā tathaivāve śakāriṇī | unmādinī mahāpūrvā kuśātho khecarī matā || 47 ||
وكذلك تُعرَف آكارشَني (Ākarṣaṇī) قوةُ الجذب، ومثلها آڤيشَكارِني (Āveśakāriṇī) التي تُحدِث التلبّس أو الغلبة بالتأثير. وهناك أونمادِني (Unmādinī) المُسبِّبة للهياج، وماهاپورڤا (Mahāpūrvā) العتيقة جدًّا، وكوشاثا (Kuśāthā)، وخيچري (Khecarī)—هكذا يُقال.
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: vira
Secondary Rasa: adbhuta
It catalogues specific mantra-vidyās/siddhi-nāmas (powers) recognized in the tradition, implying that such attainments exist but belong to the technical domain of mantra-yoga and must be approached under dharmic restraint rather than mere display.
Indirectly: by listing worldly/occult attainments, it frames them as secondary knowledge within the Purāṇic teaching environment, where higher orientation is typically toward sattva, self-control, and ultimately devotion to the Supreme—rather than fascination with powers.
Mantra-śāstra style technical classification—naming and distinguishing operative vidyās (e.g., attraction, possession/entrancement, khecarī), a feature of applied Vedic sciences associated with disciplined recitation, procedure, and correct phonetics (Śikṣā) in practice.