The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
मानिनी मधुरा माया मोहिनी च तथा स्मृता । भद्रा भवानी भव्या च विशालाक्षी शुचिस्मिता ॥ १२७ ॥
māninī madhurā māyā mohinī ca tathā smṛtā | bhadrā bhavānī bhavyā ca viśālākṣī śucismitā || 127 ||
تُذكَرُ بوصفها Mānīnī (ذات الوقار)، وMadhurā (العذبة)، وMāyā (قوّة التجلّي)، وMohinī (الساحرة المُفتِنة)؛ وتُدعَى Bhadrā (الميمونة)، وBhavānī (أمّ Bhava)، وBhavyā (المنعِمة المزدهرة)، وViśālākṣī (واسعة العينين)، وŚucismitā (ذات الابتسامة الطاهرة الرقيقة).
Sanatkumara (teaching Narada in a stotra-style enumeration of the Devī’s epithets)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shringara
It functions as a nāma-saṅkīrtana (recitation of sacred epithets), presenting the Devī as both enchanting Māyā/Mohinī and deeply auspicious Bhadrā/Bhavyā—teaching that the same divine power can bind through delusion and liberate through grace when worshipped rightly.
Bhakti here is practiced through reverent name-recitation: meditating on each epithet (sweetness, auspiciousness, purity) refines the devotee’s mind and redirects fascination (mohana) into devotion, turning worldly attraction into God-centered remembrance.
Vyākaraṇa-oriented clarity is implied: each nāma is a precise semantic unit (e.g., Bhavānī as Śiva-śakti, Viśālākṣī as ‘wide-eyed’), supporting correct pronunciation/meaning in stotra recitation—an applied aspect of Vedāṅga discipline.